"Yet even these are not for ever one.
The god flies from the goddess.—And a swan
Does devoir now, the slave of Leda's charms.

"Thus I behold the beams of thy bright eye,
And bid my home farewell,—I, hapless wight,
Fly like the god, fair maid, to worship thee !"

Albeit I suffered him to recite these lines to the end I turned from him with a countenance of great wrath, and tore the paper whereon they were writ in two halves which I flung behind the stove. Nor did I put away my angry and offended mien until he had right humbly besought my forgiveness. Yet when I had granted it, and he presently quitted the chamber, I did, I confess, gather up the torn paper and bestow it in my girdle-poke. Nay, meseems that I had of intent rent it only in twain, to the end that I might the better join it again. Thus to this day it lieth in my chest, with other relics of the past; yet I verily believe that another Sonnet, which Sir Giacomo found on the morrow, laid on his easel, was not so treasured by him. It was thus:

"There was one Hans, and he was fain to try,
Like to Olympian Jove, the magic arts
Of witchcraft upon some well-favored maid.
Bold the adventure, but the prize how sweet!
'Farewell, good wife,' quoth he, 'Or e'er the dawn
Hath broke I must be forward on my way.
Like Jupiter I will be blessed and bless
With love; and in the image of a swan.'

"The magic spell hath changed him. With a wreath
About his head he deems he lacketh nought
Of what may best beguile a maiden's soul.

"Thus to fair Leda flies the hapless wight.—
With boisterous mirth the dame beholds the bird.
'A right fine goose! Thou'lt make a goodly roast.'"

Howbeit Giacomo would not leave this verse without reply; and to this day, if you look close into the picture, you may see a goose's head deep in shade among the shrubs in the back part of it, but clearly to be discerned.

Notwithstanding many such little quarrels we liked each other well, and I may here note that when, in the following year, which was the year of our Lord one thousand four hundred and twenty-six, a little son was born to him, since grown to be a right famous painter, known as Giambellini— which is to say Giovanni, or Hans, Bellini, I, Margery Schopper, stood his sponsor at the font. Yea and I was ever a true godsib to him, and that painter might indeed thank my kith and kin when he was charged with a certain office in the Fondaco in Venice, which is worth some hundreds of ducats yearly to him, to this day.

Thus were the portraits ended, and when I behold my own looking from the wide frame with so mirthful and yet so longing a gaze, meseems that Giacomo must have read the book of my soul and have known right well how to present that he saw therein; at that time in truth I was a happy young creature, and the aching and longing which would now and again come over me, in part for him who was gone, and in part I wist not for what, were but the shadow which must ever fall where there is light. And verily I had good cause to be thankful and of good cheer; I was in health as sound as a trout in the brook, and had good chances for making the most of those humble gifts and powers wherewith I was blessed.

As to Herdegen, it was no small comfort to us to learn that my lord Cardinal Bernhardi had taken that matter in hand, and had bidden all the priests and friars in the Levant to make enquiry for tidings of him.