Serapis — Complete

by Georg Ebers

A small band of priests and philosophers ventured into the chaos in the hope of quelling the riot, but a tipsy flute-player placed himself in front of them and throwing back his head blew a furious blast to heaven on his double pipe, shrill enough to wake the dead, while a girl seconded him by flinging her tambourine in the face of the intruding pacificators. It bounced against the shaft of a column, and then fell on the shaven head of a priestling, who seized it and tossed it back. The game was soon taken up, and before long, one tambourine after another was flying over the heads of the frenzied crew. Every one was eager to have one, and sprung to catch them, scuffling and struggling and making the parchment sound on his neighbor’s head.

Some of the women had jumped on to the processional biers and were being carried round the hall by staggering youths, screaming with alarm and laughter; if one of them lost her balance and fell she was captured with shrieks of merriment and forced to mount her insecure eminence again. Presently the car of Dionysus came to wreck over the body of an unconscious toper, but no one stopped to set it right; and though the hapless representative of the god howled loudly to them to stop while he extricated himself from the machine, in which he had stuck, it was in vain; the score or so of youths who were dragging it tore on, passing close by Gorgo, who noted with indignation, that the brasswork of the axles was cutting deeply into the splendid mosaic of the pavement. At last the burly god fell out by his sheer weight, and his followers restored him to consciousness by taking him by the heels and dipping his towzled and bleeding head into a huge jar of wine and water. Then some hundreds of his drunken votaries danced madly round the rescued god; and as all the tambourines were split and the flute-players had no breath left, time was kept by beating with thyrsus-staves against the pillars, while three men, who had found the brazen tubas among the temple vessels, blew with all their might and main.

Strong opposition, however, was roused by this mad uproar. A party of worshippers, in the first place, rebelled against it; these had been standing with veiled heads, near the statue of Serapis, muttering exorcisms after a Magian and howling lamentably at intervals; then a preacher, who had succeeded in collecting a little knot of listeners, bid the trumpeters cease; and finally, a party of actors and singers, who had assembled in the outer hall to perform a satira play, tried to stop them, though they themselves were making such a noise that the trumpet-blast could have affected them but little. When the players found that remonstrance had no effect they rushed into the hypostyle and tried to reduce the musicians to silence by force.

Then a frenzied contest began; but the combatants were soon separated; the actors and their antagonists fell on each other’s necks, and a Homeric poet, who had compiled an elegy for the evening on the “Gods coerced by the hosts of the new superstition,” made up simply of lines culled from the Iliad and Odyssey, seized this favorable opportunity. He had begun to read it at the top of his voice, screaming down the general din, when everything was forgotten in the excitement caused by the entrance of a procession which was the successful result of many raids on the temple-treasuries and lumber-rooms.

A storm of applause greeted its appearance; the tipsiest stammered out his approval, and the picture presented to drunken eyes was indeed a beautiful and gorgeous one. On a high platform-intended for the display of a small image of Serapis and certain symbols of the god, at great festivals—Glycera, the loveliest hetaira of the town, was drawn in triumph through the temple. She reclined in a sort of bowl representing a shell, placed at the top of the platform, and on the lower stages sat groups of fair girls, swaying gently with luxurious grace, and flinging flowers down to the crowd who, with jealous rivalry, strove to catch them. Everyone recognized the beautiful hetaira as Aphrodite, and she was hailed, as with one voice, the Queen of the World. The men rushed forward to pour libations in her honor, and to join hands and dance in a giddy maze round her car.

“Take her to Serapis!” shouted a drunken student. “Marry her to the god. Heavenly Love should be his bride!”

“Yes—take her to Serapis,” yelled another. “It is the wedding of Serapis and Glycera.”

The crazy rabble pushed the machine towards the curtain, with the beautiful, laughing woman on the top, and her bevy of languishing attendants.

Until this instant the vivid lightning outside, and the growling of distant thunder had not been heeded by the revellers, but now a blinding flash lighted up the hall and, at the same instant, a tremendous peal crashed and rattled just above them, and shook the desecrated shrine. A sulphurous vapor came rolling in at the openings just below the roof, and this first flash was immediately followed by another which seemed to have rent the vault of heaven, for it was accompanied by a deafening and stunning roar and a terrific rumbling and creaking, as though the metal walls of the firmament had burst asunder and fallen in on the earth—on Alexandria—on the Serapeum.

The whole awful force of an African tempest came crashing down upon them; the wild revel was stilled; the trembling topers dropped their cups, fevered checks turned pale, the dancers parted and threw up their hands in agonized supplication, words of lust and blasphemy died on their lips and turned to prayers and muttered charms. The terrified nymphs that surrounded Venus sprang from the car, and the foam-born goddess in the shell tried to free herself from the garlands and gauzes in which she was involved, shrieking aloud when she perceived that she could not descend unaided from her elevated position. Other voices mingled with hers—lamenting, cursing, and entreating; for now the rainclouds burst, and through the window-openings poured a cold flood, chilling and wetting the drunken mob within.