Serapis — Complete

by Georg Ebers

The widow Mary, on the other hand, and all the Christians were robed in blue from head to foot, their sandals being tied with blue ribbands; and Dada’s blue shoulder-knot was in conspicuous contrast to her bright rose-colored dress.

The vendors of food who wandered round the circus had eggs dyed blue and red, cakes with sugared icing and refreshing drinks in jars of both colors. When a Christian and a Heathen found themselves seated side by side, each turned a shoulder to the other, or, if they were forced to sit face to face, eyed each other with a scowl.

Cynegius did all he could to postpone the races as long as possible; he was anxious to wait till the Comes had finished his task in the Serapeum, so that the troops might be free to act in any emergency that might arise before the contests in the Hippodrome were fairly ended. Time did not hang heavy on his hands for the vast multitude here assembled interested him greatly, though he had frequently been a spectator of similar festivities in Rome and Constantinople; but this crowd differed in many particulars from the populace of those cities. In the topmost tiers of free seats black and brown faces predominated greatly over white ones; in the cushioned and carpeted ranks of the stone podium—the lower portion of the amphitheatre—mingled with Greeks and Egyptians, sat thousands of splendidly dressed men and women with strongly-marked Semitic features: members of the wealthy Jewish community, whose venerable head, the Alabarch, a dignified patriarch in Greek dress, sat with the chief members of the senate, near the envoy’s tribune.

The Alexandrians were not a patient race and they were beginning to rebel against the delay, making no small noise and disturbance, when Cynegius rose and with his white handkerchief waved the signal for the races to begin. The number of spectators had gradually swelled from fifty to sixty and to eighty thousand; and no less than thirty-six chariots were waiting behind the carceres ready to start.

Four ‘missus’ or races were to be run. In each of the three first twelve chariots were to start, and in the fourth only the leaders in the three former ones were to compete. The winner of the olive-wreath and palmbranch in this final heat would bear the honors of the day; his party would be victorious and he would quit the Hippodrome in triumph.

Lots were now drawn in the oppidum to decide which shed each chariot was to start from, and in which naissus each was to run. It was Marcus’ fate to start among the first lot, and, to the horror of those who had backed his chances, Hippias, the hero of the Hippodrome, was his rival, with the four famous bays.

Heathen priests poured libations to Poseidon, and Phoebus Apollo, the patron divinities of horses and of the Hippodrome—for sacrifices of blood were prohibited; while Christian presbyters and exorcists blessed the rival steeds in the name of the Bishop. A few monks had crept in, but they were turned out by the heathen with bitter jeers, as unbidden intruders.

Cynegius repeated his signal. The sound of the tuba rang through the air, and the first twelve chariots were led into the starting-sheds. A few minutes later a machine was set in motion by which a bronze eagle was made to rise with outspread wings high into the air, from an altar in front of the carceres; this was the signal for the chariots to come forth from their boxes. They took up their positions close behind a broad chalk line, traced on the ground with diagonal slope, so as to reduce the disadvantage of standing outermost and having a larger curve to cover.

Until this moment only the privileged possessors of the seats over the carceres had been able, by craning backwards, to see the horses and drivers; now the competitors were visible to the multitude which, at their first appearance, broke out into vociferous applause. The agitatores had to exert all their strength to hold in the startled and eager teams, and make them stand even for a few short minutes; then Cynegius signalled for the third time. A golden dolphin, which had been suspended from a beam, and on which the eye of every charioteer was fixed, dropped to the ground, a blast on the ‘salpinx’, or war-trumpet, was sounded, and forty-eight horses flew forth as though thrown forward by one impulsion.

The strength of four fine horses whirled each light, two-wheeled chariot over the hard causeway as though it were a toy. The down-pour of the previous night had laid the dust; the bright sunshine sparkled and danced in rapidly-changing flashes, mirrored in the polished gilding of the bronze or the silver fittings of the elegantly-decorated, semicircular cars in which the drivers stood.