“Indeed?” asked Karnis in an altered key. “To be sure when a roast fowl flies into one’s mouth instead of a pigeon.... But you are right as usual, Herse, as usual, only—here am I battening like a senator while you—I lay a wager you have drunk nothing but milk all day and eaten nothing but bread and radishes. I thought so? Then the chicken must pretend to be a pheasant and you, wife, will eat this leg. The girls are gone to bed? Why here is some wine too! Fill up your cup, boy. A libation to the God! Glory to Dionysus!” The two men poured the libation on the floor and drank; then the father thrust his knife into the breast of the bird and began his meal with a will, while Orpheus, the son, went on with his story:
“Well, the temple of Dionysus was not to be found, for Bishop Theophilus has had it destroyed; so to what divinity could we offer our wreath and cake? Here in Egypt there is none but the great Mother Isis. Her sanctuary is on the shore of Lake Mareotis and mother found it at once. There she fell into conversation with a priestess who, as soon as she learnt that my mother belonged to a family of musicians—though Dame Herse was cautious in announcing this fact—and hoped to find employment in Alexandria, led her away to a young lady who was closely veiled. This lady,” Orpheus went on—he not only played the flute but took the higher parts for a man’s voice and could also strike the lyre—“desired us to go to her later at her own house, where she would speak with us. She drove off in a fine carriage and we, of course followed her orders; Agne was with us too. A splendid house! I never saw anything handsomer in Rome or Antioch. We were kindly received, and with the lady there were another very old lady and a tall grave man, a priest I should fancy or a philosopher, or something of that kind.”
“Not some Christian trap?” asked Karnis suspiciously. “You do not know this place, and since the edict...”
“Never fear, father! There were images of the gods in the halls and corridors, and in the room where we were received by Gorgo, the beautiful daughter of Porphyrius, there was an altar before an image of Isis, quite freshly anointed.—This Porphyrius is a very rich merchant; we learnt that afterwards, and many other things. The philosopher asked us at once whether we were aware that Theodosius had lately promulgated a new edict forbidding young maidens to appear in public as singers or flute-players.”
“And did Agne hear that?” said the old man in a low voice as he pointed to the curtain.
“No, she and Dada were in the garden on to which the room opened, and mother explained at once that though Agne was a Christian she was a very good girl, and that so long as she remained in our service she was bound to sing with us whenever she was required. The philosopher exclaimed at once: ‘The very thing!’ and they whispered together, and called the girls and desired them to show what they could do.”
“And how did they perform?” asked the old man, who was growing excited.
“Dada warbled like a lark, and Agne—well you know how it always is. Her voice sounded lovely but it was just as usual. You can guess how much there is in her and how deep her feeling is but she never quite brings it out. What has she to complain of with us? And yet whatever she sings has that mournful, painful ring which even you can do nothing to alter. However, she pleased them better than Dada did, for I noticed that Gorgo and the gentleman glanced at each other and at her, and whispered a word now and then which certainly referred to Ague. When they had sung two songs the young lady came towards us and praised both the girls, and asked whether we would undertake to learn something quite new. I told her that my father was a great musician who could master the most difficult things at the first hearing.”
“The most difficult! Hm... that depends,” said the old man. “Did she show it you?”
“No; it is something in the style of Linus and she sang it to us.”