But Agne preferred to remain on board, so Karnis and Dada set out together. Orpheus followed them closely for, though the troops had succeeded in quelling the uproar, the city was still in a state of ferment. Closely veiled, and without any kind of adornment—on this Herse had positively insisted—the girl, clinging to the old man's arm, made her way through the streets, asking questions about everything she saw; and her spirits rose, and she was so full of droll suggestions that Karnis soon forgot his fatigue and gave himself up to the enjoyment of showing her the old scenes that he knew and the new beauties and improvements.
In the Canopic way Dada was fairly beside herself with delight. Houses like palaces stood arrayed on each side. Close to the buildings ran a covered arcade, and down the centre of the roadway there was a broad footpath shaded by sycamores. This fine avenue swarmed with pedestrians, while on each side chariots, drawn by magnificent horses, hurried past, and riders galloped up and down; at every step there was something new and interesting to be seen.
Rome, even, could not boast of a handsomer street, and Dada expressed her delight with frank eagerness; but Karnis did not echo her praises; he was indignant at finding that the Christians had removed a fine statue of the venerable Nile-god surrounded by the playful forms of his infant children, which had formerly graced the fountain in the middle of the avenue, and had also overthrown or mutilated the statues of Hermes that had stood by the roadside. Orpheus sympathized in his wrath which reached its climax when, on looking for two statues, of Demeter and of Pallas Athene, of which Karnis had spoken to his son as decorating the gateway of one of the finest houses in the city, they beheld instead, mounted on the plinths, two coarsely-wrought images of the Lamb with its Cross.
"Like two rats that have been caught under a stone!" cried the old man. "And what is most shameful is that I would wager that they have destroyed the statues which were the pride of the town and thrown them on a rubbish heap. In my day this house belonged to a rich man named Philippus. But stop—was not he the father of our hospitable protector . . ."
"The steward spoke of Porphyrius as the son of Philippus," Orpheus said.
"And Philippus was a corn merchant, too," added Karnis. "Demeter was figurative of a blessing on the harvest, for it was from that the house derived its wealth, and Pallas Athene was patroness of the learning that was encouraged by its owners. When I was a student here every wealthy man belonged to some school of philosophy. The money-bag did not count for everything. Heathen or Jew, whether engaged in business or enjoying the revenues of an inherited fortune, a man was expected to be able to talk of something besides the price of merchandise and the coming and sailing of vessels."
During this conversation Dada had withdrawn her hand from the old man's arm to raise her veil, for two men had gone up to the gate between the images that had roused Karnis to wrath, and one of them, who at this instant knocked at the door, was Mary's son.
"Father, see, there he is!" cried Dada, as the door was opened, speaking louder than was at all necessary to enable her companion to hear her; the musician at once recognized Marcus, and turning to his son he said:
"Now we may be quite sure! Porphyrius and this young Christian's father were brothers. Philippus must have left his house to his eldest son who is the one that is dead, and it now belongs no doubt to Mary, his widow. I must admit, child, that you choose your adorers from respectable families!"
"I should think so," said the girl laughing. "And that is why he is so proud. My fine gentleman has not even a glance to cast at us. Bang! the door is shut. Come along, uncle!"