Cynegius repeated his signal. The sound of the tuba rang through the air, and the first twelve chariots were led into the starting-sheds. A few minutes later a machine was set in motion by which a bronze eagle was made to rise with outspread wings high into the air, from an altar in front of the carceres; this was the signal for the chariots to come forth from their boxes. They took up their positions close behind a broad chalk line, traced on the ground with diagonal slope, so as to reduce the disadvantage of standing outermost and having a larger curve to cover.
Until this moment only the privileged possessors of the seats over the carceres had been able, by craning backwards, to see the horses and drivers; now the competitors were visible to the multitude which, at their first appearance, broke out into vociferous applause. The agitatores had to exert all their strength to hold in the startled and eager teams, and make them stand even for a few short minutes; then Cynegius signalled for the third time. A golden dolphin, which had been suspended from a beam, and on which the eye of every charioteer was fixed, dropped to the ground, a blast on the 'salpinx', or war-trumpet, was sounded, and forty-eight horses flew forth as though thrown forward by one impulsion.
The strength of four fine horses whirled each light, two-wheeled chariot over the hard causeway as though it were a toy. The down-pour of the previous night had laid the dust; the bright sunshine sparkled and danced in rapidly-changing flashes, mirrored in the polished gilding of the bronze or the silver fittings of the elegantly-decorated, semicircular cars in which the drivers stood.
Five blue and seven red competitors had drawn the first lots. The eye rested with pleasure on the sinewy figures whose bare feet seemed rooted to the boards they stood on, while their eyes were riveted on the goal they were striving to reach, though—as the eye of the archer sees arrow, bow and mark all at once—they never lost sight of the horses they were guiding. A close cap with floating ribbands confined their hair, and they wore a short sleeveless tunic, swathed round the body with wide bands, as if to brace their muscles and add to their strength. The reins were fastened around the hips so as to leave the hands free, not only to hold them but also to ply the whip and use the goad. Each charioteer had a knife in his girdle, to enable him to release himself, in case of accident, from a bond that might prove fatal.
Before long the bay team was leading alone. Behind were two Christian drivers, followed by three red chariots; Marcus was last of all, but it was easy to see that it was by choice and not by necessity that he was hanging back. He was holding in his fiery team with all his strength and weight—his body thrown back, his feet firmly set with his knees against the silver bar of the chariot, and his hands gripping the reins. In a few minutes he came flying past Dada and his brother, but he did not see them. He had not even caught sight of his own mother, while the professional charioteers had not failed to bow to Cynegius and nod to their friends. He could only keep his eyes and mind fixed on his horses and on the goal.
The multitude clapped, roared, shouted encouragement to their party, hissed and whistled when they were disappointed—venting their utmost indignation on Marcus as he came past behind the others; but he either heard them not or would not hear. Dada's heart beat so wildly that she thought it would burst. She could not sit still; she started to her feet and then flung herself back on her cushions, shouting some spurring words to Marcus in the flash of time when he might perhaps hear them. When he had passed, her head fell and she said sadly enough: "Poor fellow!—We have bought our wreaths for nothing after all, Demetrius!"
But Demetrius shook his head and smiled.
"Nay," he said, "the boy has iron sinews in that slight body. Look how he holds the horses in! He is saving their strength till they need it. Seven times, child, seven times he has to go round this great circus and past the 'nyssa'. You will see, he will catch up what he has lost, yet. Hippias, you see, is holding in his horses, too; it is his way of giving himself airs at starting. Now he is close to the 'nyssa'—the 'kampter' —the 'meta' they call it at Rome; the smaller the bend he can make round it the better for him, but it is risky work. There—you see!—They drive round from right to left and that throws most of the work on the lefthand beast; it has to turn almost in its own length. Aura, our first horse, is as supple as a panther and I trained her to do it, myself.—Now, look out there! that bronze figure of a rearing horse—the 'Taraxippos' they call it—is put there to frighten the horses, and Megaera, our third horse, is like a mad thing sometimes, though she can go like a stag; every time Marcus gets her quietly past the Taraxippos we are nearer to success.—Look, look,=-the first chariot has got round the nyssa! It is Hippias! Yes, by Zeus, he has done it! He is a detestable braggart, but he knows his business!"
This was one of the decisive moments of the race. The crowd was silent; expectation was at the utmost pitch of tension, and Dada's eyes were fixed spell-bound on the obelisk and on the quadrigas that whirled round the bourn.
Next to Hippias came a blue team, and close behind were three red ones. The Christian who had succeeded in reaching the nyssa second, boldly took his horses close round the obelisk, hoping to gain space and get past Hippias; but the left wheel of his chariot grazed the granite plinth, the light car was overset, and the horses of the red chariot, whose noses were almost on his shoulder, could not be pulled up short in time. They fell over the Christian's team which rolled on the ground; the red chariot, too, turned over, and eight snorting beasts lay struggling in the sand.