On the other hand the portrait in red crayon of Frau Bianca and the little Zeno is still carefully preserved as a most precious heirloom, and was the picture that inspired my sainted father with the desire to become an artist.
Our forebear Dr. Melchior devoted the best of his energies to the benefit, as he thought, of his race, perhaps indeed of all mankind, and yet his efforts were unavailing, for to my sorrow must I acknowledge that much of the enmity felt towards our family, and the disrepute into which our good old name fell, was caused by the elixir. The majority of Ueberhells were accused of presumption and arrogance, of opiniativeness and pugnacity. Many had made themselves disagreeable to their neighbours by their caustic criticisms and ill-natured complaints, at the same time bringing misfortune upon themselves by a most curious exhibition of their own faults.
The whole race degenerated so rapidly through their unbridled license and lack of consideration for others, that they ceased to be received by the members of the better circles, and there came to be an offensive saying that in Leipsic there were men, women, and Ueberhells.
This dislike and animosity were visited upon one generation after another until finally it affected the worldly prosperity of the family. Even The Three Kings in the Katharinenstrasse which, by the way, had long ceased to be known by that name, was lost to us, and so remained for many years until my sainted father recovered it again, and that the Ueberhells did not fall into even greater distress was due largely to the timidity, nay absolute terror, with which they inspired many people.
From several of my relatives—and they without exception made use of the elixir when they received it on their twenty fifth birthday—I have heard many particulars concerning the experience, but there was only one who ever said that he had been happier and more contented because of it, and that was my sainted father, the painter, Johannes Ueberhell.
He lost his father very early, and was brought up and educated in poverty and distress by his good mother who remained a widow. It was she who sold the last of the jewels and plate that had come down to her from earlier and more prosperous days, in order to make it possible for Johannes to go to Dresden and study under a good master.
He was a virtuous youth, with a simple heart, and a disposition so gay that the unfortunate forgot their sorrow whenever he appeared.
Even as a child—so I have heard my grandmother say—he was so cheerful and contented despite their bitter poverty, that he made up a little prayer for himself in which he used to thank God for having created him.
This man, then, grew up to be truehearted and sincere without the elixir, but he made use of it, none the less, when it came into his possession, and it proved a great blessing to him. As a light-hearted and modest youth—so diffident that he was timid in his intercourse with older persons—he wandered over the Alps, with only fifty thalers in his pocket and a small knapsack on his back, to Rome where he was received into the studio of one of the most distinguished painters, as apprentice. This latter very soon became jealous of the great talent exhibited by my father and a competition occurring, exerted all his influence to keep the prizes from the German competitors and have them awarded to Italian artists of much less merit.
My father, unable to overcome his fatal shyness by any effort of will, had not the courage to withstand this unfairness until he was called home by his mother for his twenty-fifth birthday, and made use of the elixir.