"I learned that too late, and am utterly powerless against Antony," replied Archibius.
"But was it not natural that I should fear he had prejudiced the Queen?" asked Barine. "At any rate, I imagined that I detected a hostile expression in her eyes, and it repelled me, though at first I had been so strongly attracted towards her."
"And had not that other stepped between you, you could not have turned from her again!" said Archibius. "The first time I saw her I was but a mere boy, and she—as I have already said—a child eight years old."
Barine nodded gratefully to Archibius, brought the distaff to her mother, poured water into the wine in the mixing vessel, and after at first leaning comfortably back among the cushions, she soon bent forward in a listening attitude, with her elbow propped on her knee, and her chin supported by her hand. Berenike drew the flax from the distaff, at first slowly, then faster and faster.
"You know my country-house in the Kanopus," the guest began. "It was originally a small summer palace belonging to the royal family, and underwent little change after we moved into it. Even the garden is unaltered. It was full of shady old trees. Olympus, the leech, had chosen this place, that my father might complete within its walls the work of education entrusted to him. You shall hear the story. At that time Alexandria was in a state of turmoil, for Rome had not recognized the King, and ruled over us like Fate, though it had not acknowledged the will by which the miserable Alexander bequeathed Egypt to him like a field or a slave.
"The King of Egypt, who called himself 'the new Dionysus,' was a weak man, whose birth did not give him the full right to the sovereignty. You know that the people called him the 'fluteplayer.' He really had no greater pleasure than to hear music and listen to his own performances. He played by no means badly on more than one instrument, and, moreover, as a reveller did honour to the other name. Whoever kept sober at the festival of Dionysus, whose incarnate second self he regarded himself, incurred his deepest displeasure.
"The flute-player's wife, Queen Tryphoena, and her oldest daughter—she bore your name, Berenike—ruined his life. Compared with them, the King was worthy and virtuous. What had become of the heroes and the high-minded princes of the house of Ptolemy? Every passion and crime had found a home in their palaces!
"The flute-player, Cleopatra's father, was by no means the worst. He was a slave to his own caprices; no one had taught him to bridle his passions. Where it served his purpose, even death was summoned to his aid; but this was a custom of the last sovereigns of his race. In one respect he was certainly superior to most of them—he still possessed a capacity to feel a loathing for the height of crime, to believe in virtue and loftiness of soul, and the possibility of implanting them in youthful hearts. When a boy, he had been under the influence of an excellent teacher, whose precepts had lingered in his memory and led him to determine to withdraw his favourite children—two girls—from their mother's sway, at least as far as possible.
"I learned afterwards that it had been his desire to confide the princesses wholly to my parents' care. But an invincible power opposed this. Though Greeks might be permitted to instruct the royal children in knowledge, the Egyptians would not yield the right to their religious education. The leech Olympus—you know the good old man—had insisted that the delicate Cleopatra must spend the coldest winter months in Upper Egypt, where the sky was never clouded, and the summer near the sea in a shady garden. The little palace at Kanopus was devoted to this purpose.
"When we moved there it was entirely unoccupied, but the princesses were soon to be brought to us. During the winter Olympus preferred the island of Philae, on the Nubian frontier, because the famous Temple of Isis was there, and its priests willingly undertook to watch over the children.