So, without answering Hochstraaten's question, she turned her face toward the chamber, and said, loudly enough to be heard by all present:
"This reception must suffice for to-day! Whoever does not know that I used last night in his Majesty's service for a better purpose than sleep will deem me a lazy sluggard. Would to Heaven I had no worse fault! The rising sun sees me more frequently at my station in the hunting grounds than it does many of you, my honoured friends, at the breakfast table. So, Hochstraaten, be kind enough to tell the ladies and gentlemen who have given me the pleasure of their visits, that their patience shall be less severely tried this evening before vespers."
While speaking, she beckoned to the Marquise de Leria, her oldest lady in
waiting, and, as the latter bent her aged back to adjust the pillows, the
Queen whispered to her to detain the conductor of the orchestra and Sir
Wolf Hartschwert.
The order was instantly obeyed, but some time elapsed ere the last of those who had sought an audience left the room, for, although the regent vouchsafed no one a glance, but turned the pages of a note-book which had been lying on the little table at the head of her bed, each person, before crossing the threshold, bowed toward the couch in the slow, formal manner which etiquette dictated.
As soon as Queen Mary found herself alone with the musicians and the marquise, she beckoned graciously to the former, but with familiar kindness to Wolf, and asked for a brief account of his journey. Then she confessed that the Emperor's sufferings and melancholy mood had induced her to subject them to the discomforts of the trip to Ratisbon. His Majesty was ignorant of their presence, but she anticipated the most favourable result upon her royal brother, who so warmly loved and keenly appreciated music, if he could hear unexpectedly the finest melodies, sometimes inspiring, sometimes cheering in tone.
Her inquiry whether his Majesty's orchestra and her own boys would be able to give a performance that evening was eagerly answered in the affirmative by Maestro Gombert, the conductor of the orchestra, and Benedictus Appenzelder, conductor of the boy choir, who was in her personal service. She expressed her pleasure in the knowledge, and then proposed to surprise the Emperor at the principal meal, about midnight, with Jacob Hobrecht's Missa Graecorum, whose magnificent profundity his Majesty especially admired.
Gombert forced himself to keep silence, but the significant smile on his delicate, beardless lips betrayed what he thought of this selection. The conductor of the boy choir was franker. He slightly shook his ponderous head, whose long, gray hair was parted in the middle, and then honestly admitted, in his deep tones, that the Missa Graecorum seemed to him too majestic and gloomy for this purpose. Wolf, too, disapproved of the Queen's suggestion for the same reason, and, though she pointed out that she had chosen this composition precisely on account of its deep religious earnestness, the former persisted in his opposition, and modestly mentioned the melody which would probably be best suited for a surprise at his imperial Majesty's repast.
Maestro Gombert had recently composed a Benedictio Mensae for four voices, and, as it was one of his most effective creations, had never been executed, and therefore would be entirely new to the Emperor, it was specially adapted to introduce the concert with which the monarch was to be surprised at table.
The Queen would have preferred that a religious piece should commence the musical performance, but assented to Wolf's proposal. Gombert himself dispelled her fear that his composition would be purely secular in character, and Wolf upheld him by singing to the musical princess, to the accompaniment of the lute, snatches of the principal theme of the Benedictio, which had impressed itself upon his faithful memory.
Gombert assisted him, but Appenzelder stroked his long beard, signifying his approval by nods and brief exclamations of satisfaction. The Queen was now sincerely glad that this piece of music had been brought to her notice; certainly nothing more suitable for the purpose could have been found. Besides, her kindly nature and feminine tact made her grateful to Wolf for his hint of distinguishing, by the first performance of one of his works, the able conductor and fine composer upon whom she had imposed so fatiguing a journey.