Yet this superabundance of men in "secret" positions lent no touch of mystery to our cheerful street, shaded by the green of the forest. Franker, gayer, sometimes noisier children than its residents could not be found in Berlin. I was only a little fellow when we lived there, and merely tolerated in the "big boys'" sports, but it was a festival when, with Ludo, I could carry their provisions for them or even help them make fireworks. The old Rechnungsrath, who lived in the house owned by Geheimerath Crede, the father of my Leipsic colleague, was their instructor in this art, which was to prove disastrous to my oldest brother and bright Paul Seiffart; for—may they pardon me the treachery—they took one of the fireworks to school, where—I hope accidentally—it went off. At first this caused much amusement, but strict judgment followed, and led to my mother's resolution to send her oldest son away from home to some educational institution.
The well-known teacher, Adolph Diesterweg, whose acquaintance she had made at the house of a friend, recommended Keilhau, and so our little band was deprived of the leader to whom Ludo and I had looked up with a certain degree of reverence on account of his superior strength, his bold spirit of enterprise, and his kindly condescension to us younger ones.
After his departure the house was much quieter, but we did not forget him; his letters from Keilhau were read aloud to us, and his descriptions of the merry school days, the pedestrian tours, and sleigh-rides awakened an ardent longing in Ludo and myself to follow him.
Yet it was so delightful with my mother, the sun around which our little lives revolved! I had no thought, performed no act, without wondering what would be her opinion of it; and this intimate relation, though in an altered form, continued until her death. In looking backward I may regard it as a law of my whole development that my conduct was regulated according to the more or less close mental and outward connection in which I stood with her. The storm and stress period, during which my effervescent youthful spirits led me into all sorts of follies, was the only time in my life in which this close connection threatened to be loosened. Yet Fate provided that it should soon be welded more firmly than ever. When she died, a beloved wife stood by my side, but she was part of myself; and in my mother Fate seemed to have robbed me of the supreme arbitrator, the high court of justice, which alone could judge my acts.
In Lennestrasse it was still she who waked me, prepared us to go to school, took us to walk, and—how could I ever forget it?—gathered us around her "when the lamps were lighted," to read aloud or tell us some story. But nobody was allowed to be perfectly idle. While my sisters sewed, I sketched; and, as Ludo found no pleasure in that, she sometimes had him cut figures out; sometimes—an odd fancy—execute a masterpiece of crocheting, which usually shared the fate of Penelope's web.
We listened with glowing cheeks to Robinson Crusoe and the Arabian Nights, Gulliver's Travels and Don Quixote, both arranged for children, the pretty, stories of Nieritz and others, descriptions of Nature and travel, and Grimm's fairy tales.
On other winter evenings my mother—this will surprise many in the case of so sensible a woman—took us to the theatre. Two of our relatives, Frau Amalie Beer and our beloved Moritz von Oppenfeld, subscribed for boxes in the opera-house, and when they did not use them, which often happened, sent us the key.
So as a boy I heard most of the operas produced at that time, and I saw the ballets, of which Frederick William IV was especially fond, and which Taglioni understood how to arrange so admirably.
Of course, to us children the comic "Robert and Bertram," by Ludwig Schneider, and similar plays, were far more delightful than the grand operas; yet even now I wonder that Don Giovanni's scene with the statue and the conspiracy in the Huguenots stirred me, when a boy of nine or ten, so deeply, and that, though possessing barely the average amount of musical talent, Orpheus's yearning cry, "Eurydice!" rang in my ears so long.
That these frequently repeated pleasures were harmful to us children I willingly admit. And yet—when in after years I was told that I succeeded admirably in describing large bodies of men seized by some strong excitement, and that my novels did not lack dramatic movement or their scenes vividness, and, where it was requisite, splendour—I perhaps owe this to the superb pictures, interwoven with thrilling bursts of melody, which impressed themselves upon my soul when a child.