"I was still in Egypt when your embassy came to fetch Nitetis. At the house of Rhodopis, my delightful, clever and celebrated countrywoman, I made the acquaintance of Croesus and his son; I only saw your brother and his friends once or twice, casually; still I remembered the young prince's handsome face so well, that some time later, when I was in the workshop of the great sculptor Theodorus at Samos, I recognized his features at once."
"Did you meet him at Samos?"
"No, but his features had made such a deep and faithful impression on Theodorus' memory, that he used them to beautify the head of an Apollo, which the Achaemenidae had ordered for the new temple of Delphi."
"Your tale begins, at least, incredibly enough. How is it possible to copy features so exactly, when you have not got them before you?"
"I can only answer that Theodorus has really completed this master-piece, and if you wish for a proof of his skill would gladly send you a second likeness of . . ."
"I have no desire for it. Go on with your story."
"On my journey hither, which, thanks to your father's excellent arrangements, I performed in an incredibly short time, changing horses every sixteen or seventeen miles . . ."
"Who allowed you, a foreigner, to use the posthorses?"
"The pass drawn out for the son of Croesus, which came by chance into my hands, when once, in order to save my life, he forced me to change clothes with him."
"A Lydian can outwit a fox, and a Syrian a Lydian, but an Ionian is a match for both," muttered the king, smiling for the first time; "Croesus told me this story—poor Croesus!" and then the old gloomy expression came over his face and he passed his hand across his forehead, as if trying to smooth the lines of care away. The Athenian went on: "I met with no hindrances on my journey till this morning at the first hour after midnight, when I was detained by a strange occurrence."