We also made the acquaintance of our host, Herr Meyer. Strange and varied were the paths along which Fate had led this man. As a rich bachelor he had welcomed guests to his ever-open house with salvos of artillery, and hence was still called Cannon Meyer, though, after having squandered his patrimony, he remained absent from his home for many years. His career in America was one of perpetual vicissitudes and full of adventures. Afore than once he barely escaped death. At last, conquered by homesickness, he returned to the Black Forest, and with a good, industrious wife.
His house in the monastery suited his longing for rest; he obtained a position in the morocco factory in the valley below, which afforded him a support, and his daughters provided for his physical comfort.
The big, broad-shouldered man with the huge mustache and deep, bass voice looked like some grey-haired knight whose giant arm could have dealt that Swabian stroke which cleft the foe from skull to saddle, and yet at that time he was occupied from morning until night in the delicate work splitting the calf skin from whose thin surfaces, when divided into two portions, fine morocco is made.
We also met the family of Herr Zahn, in whose factory this leather was manufactured; and when in the East I saw red, yellow, and green slippers on the feet of so many Moslems, I could not help thinking of the shady Black Forest.
Sometimes we drove to the little neighbouring town of Calw, where we were most kindly received. The mornings were uninterrupted, and my work was very successful. Afternoon sometimes brought visitors from Wildbad, among whom was the artist Gallait, who with his wife and two young daughters had come to use the water of the springs. His paintings, “Egmont in Prison,” “The Beheaded Counts Egmont and Horn,” and many others, had aroused the utmost admiration. Praise and honours of all kinds had consequently been lavished upon him. This had brought him to the Spree, and he had often been a welcome guest in our home.
Like Menzel, Cornelius, Alma Tadema, and Meissonier, he was small in stature, but the features of his well-formed face were anything but insignificant. His whole person was distinguished by something I might term “neatness.” Without any touch of dudishness he gave the impression of having “just stepped out of a bandbox.” From the white cravat which he always wore, to the little red ribbon of the order in his buttonhole, everything about him was faultless.
Madame Gallait, a Parisian by birth, was the very embodiment of the French woman in the most charming sense of the word, and the bond which united her to her husband seemed enduring and as if woven by the cheeriest gods of love. Unfortunately, it did not last.
After leaving Hirsau, we again met the Gallaits in Wildbad and spent some delightful days with them. The Von Burckhardts, Fran Henrietta Hallberger, the wife of the Stuttgart publisher, the Puricellis, ourselves, and later the author Moritz Hartmann, were the only persons with whom they associated. We always met every afternoon at a certain place in the grounds, where we talked or some one read aloud. On these occasions, at Gallait’s suggestion, everybody who was so disposed sketched. My portrait, which he drew for my mother at that time in black and red pencils, is now in my wife’s possession. I also took my sketch-book, for he had seen the school volume I had filled with arabesques just before leaving Keilhau, and I still remember the ‘merveilleux and incroyable, inoui, and insense’ which he lavished on the certainly extravagant creatures of my love-sick imagination.
During these exercises in drawing he related many incidents of his own life, and never was he more interesting than while describing his first success.
He was the son of a poor widow in the little Belgian town of Tournay. While a school-boy he greatly enjoyed drawing, and an able teacher perceived his talent.