Gay and active, indeed bold as a boy sometimes, so that she would lead in taking the rather dangerous leap from a balcony of our high ground floor into the garden, clever, and full of droll fancies, she dwelt much in her own thoughts. Several volumes of her journal came to me after our mother’s death, and it is odd enough to find the thirteen-year-old girl confessing that she likes no worldly pleasures, and yet, being a very truthful child, she was only expressing a perfectly sincere feeling.

It was touching to read in the same confessions: “I was in a dreamy mood, and they said I must be longing for something—Paul, no doubt. I did not dispute it, for I really was longing for some one, though it was not a boy, but our dead father.” And Paula was only three years old when he left us!

No one would have thought, who saw her delight when there were fireworks in the Seiffarts’ garden, or when in our own, with her curls and her gown flying, her cheeks glowing, and her eyes flashing, she played with all her heart at “catch” or “robber and princess,” or, all animation and interest, conducted a performance of our puppet-show, that she would sometimes shun all noisy pleasure, that she longed with enthusiastic piety for the Sunday churchgoing, and could plunge into meditation on subjects that usually lie far from childish thoughts and feelings.

Yet who would fancy her thoughtless when she wrote in her journal: “Fie, Paula! You have taken no trouble. Mother had a right to expect a better report. However, to be happy, one must forget what cannot be altered.”

In reality, she was not in the least “featherheaded.” Her life proved that, and it is apparent, too, in the words I found on another page of her journal, at thirteen: “Mother and Martha are at the Drakes; I will learn my hymn, and then read in the Bible about the sufferings of Jesus. Oh, what anguish that must have been! And I? What do I do that is good, in making others happy or consoling their trouble? This must be different, Paula! I will begin a new life. Mother always says we are happy when we deny self in order to do good. Ah, if we always could! But I will try; for He did, though He might have escaped, for our sins and to make us happy.”

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CHAPTER VI. MY INTRODUCTION TO ART, AND ACQUAINTANCES GREAT AND SMALL IN THE LENNESTRASSE.

The Drakes mentioned in my sister’s journal are the family of the sculptor, to whom Berlin and many another German city owe such splendid works of art.

He was also one of our neighbours, and a warm friendship bound him and his young wife to my mother. He was kind to us children, too, and had us in his studio, which was connected with the house like the other and larger one in the Thiergarten. He even gave us a bit of clay to shape. I have often watched him at work for hours, chattering to him, but happier still to listen while he told us of his childhood when he was a poor boy. He exhorted us to be thankful that we were better off, but generally added that he would not exchange for anything in the world those days when he went barefoot. His bright, clear artist’s eyes sparkled as he spoke, and it must indeed have been a glorious satisfaction to have conquered the greatest hindrances by his own might, and to have raised himself to the highest pinnacle of life—that of art. I had a dim impression of this when he talked to us, and now I consider every one enviable who has only himself to thank for all he is, like Drake, his friend in art Ritschl, and my dear friend Josef Popf, in Rome, all three laurel-crowned masters in the art of sculpture.

In Drake’s studio I saw statues, busts, and reliefs grow out of the rude mass of clay; I saw the plaster cast turned into marble, and the master, with his sure hand, evoking splendid forms from the primary limestone. What I could not understand, the calm, kindly man explained with unfailing patience, and so I got an early insight into the sculptor’s creative art.