It recalls to my memory the pure happiness of the fairest period of boyhood, a throng of honoured, beloved, and merry figures, and hundreds of stirring, bright, and amusing scenes in a period of life rich in instruction and amusement, as well as the stage so lavishly endowed by Nature on which they were performed. Jean Paul has termed melancholy the blending of joy and pain, and it was doubtless a kindred feeling which filled my heart in the days before my departure, and induced me to be particularly good and obliging to every body in the house. My mother took us once more to my father’s grave in the Dreifaltigkeits cemetery, where I made many good resolutions. Only the best reports should reach home from Keilhau, and I had already obtained excellent ones in Berlin.
On the evening of our departure there were numerous kisses and farewell glances at all that was left behind; but when we were seated in the car with my mother, rushing through the landscape adorned with the most luxuriant spring foliage, my heart suddenly expanded, and the pleasure of travel and delight in the many new scenes before me destroyed every other feeling.
The first vineyard I saw at Naumburg—I had long forgotten those on the Rhine—interested me deeply; the Rudelsburg at Kosen, the ruins of a real ancient castle, pleased me no less because I had never heard Franz Kugler’s song:
“Beside the Saale’s verdant strand
Once stood full many a castle grand,
But roofless ruins are they all;
The wind sweeps through from hall to hall;
Slow drift the clouds above,”
which refers to this charming part of the Thuringian hill country. We were soon to learn to sing it at Keilhau. Weimar was the first goal of this journey. We had heard much of our classic poets; nay, I knew Schiller’s Bell and some of Goethe’s poems by heart, and we had heard them mentioned with deep reverence. Now we were to see their home, and a strange emotion took possession of me when we entered it.
Every detail of this first journey has remained stamped on my memory. I even know what we ordered for supper at the hotel where we spent the night. But my mother had a severe headache, so we saw none of the sights of Weimar except the Goethe house in the city and the other one in the park. I cannot tell what my feelings were, they are too strongly blended with later impressions. I only know that the latter especially seemed to me very small. I had imagined the “Goethe House” like the palace of the Prince of Prussia or Prince Radziwill in Wilhelmstrasse. The Grand Duke’s palace, on the contrary, appeared aristocratic and stately. We looked at it very closely, because it was the birthplace of the Princess of Prussia, of whom Fraulein Lamperi had told us so much.
The next morning my mother was well again. The railroad connecting Weimar and Rudolstadt, near which Keilhau is located, was built long after, so we continued our journey in an open carriage and reached Rudolstadt about noon.
After we had rested a short time, the carriage which was to take us to Keilhau drove up.
As we were getting in, an old gentleman approached, who instantly made a strong impression upon me. In outward appearance he bore a marked resemblance to Wilhelm Grimm. I should have noticed him among hundreds; for long grey locks, parted in the middle, floated around a nobly formed head, his massive yet refined features bore the stamp of a most kindly nature, and his eyes were the mirror of a pure, childlike soul. The rare charm of their sunny sparkle, when his warm heart expanded to pleasure or his keen intellect had succeeded in solving any problem, comes back vividly to my memory as I write, and they beamed brightly enough when he perceived our companion. They were old acquaintances, for my mother had been to Keilhau several times on Martin’s account. She addressed him by the name of Middendorf, and we recognized him as one of the heads of the institute, of whom we had heard many pleasant things.
He had driven to Rudolstadt with the “old bay,” but he willingly accepted a seat in our carriage.