[Ptah is the Greek Henhaistas, the oldest of the Gods, the great
maker of the material for the creation, the “first beginner,” by
whose side the seven Chnemu stand, as architects, to help him, and
who was named “the lord of truth,” because the laws and conditions
of being proceeded from him. He created also the germ of light, he
stood therefore at the head of the solar Gods, and was called the
creator of ice, from which, when he had cleft it, the sun and the
moan came forth. Hence his name “the opener.”]
as well as of the other Gods, finds expression.
Pentaur listened to the youth with folded arms, now looking at him enquiringly, now adding approbation. Then taking up the thread of the discourse when it was ended, he began himself to speak.
Like obedient falcons at the call of the falconer, thoughts rushed down into his mind, and the divine passion awakened in his breast glowed and shone through his inspired language that soared every moment on freer and stronger wings. Melting into pathos, exulting in rapture, he praised the splendor of nature; and the words flowed from his lips like a limpid crystal-clear stream as he glorified the eternal order of things, and the incomprehensible wisdom and care of the Creator—the One, who is one alone, and great and without equal.
“So incomparable,” he said in conclusion, “is the home which God has given us. All that He—the One—has created is penetrated with His own essence, and bears witness to His Goodness. He who knows how to find Him sees Him everywhere, and lives at every instant in the enjoyment of His glory. Seek Him, and when ye have found Him fall down and sing praises before Him. But praise the Highest, not only in gratitude for the splendor of that which he has created, but for having given us the capacity for delight in his work. Ascend the mountain peaks and look on the distant country, worship when the sunset glows with rubies, and the dawn with roses, go out in the nighttime, and look at the stars as they travel in eternal, unerring, immeasurable, and endless circles on silver barks through the blue vault of heaven, stand by the cradle of the child, by the buds of the flowers, and see how the mother bends over the one, and the bright dew-drops fall on the other. But would you know where the stream of divine goodness is most freely poured out, where the grace of the Creator bestows the richest gifts, and where His holiest altars are prepared? In your own heart; so long as it is pure and full of love. In such a heart, nature is reflected as in a magic mirror, on whose surface the Beautiful shines in three-fold beauty. There the eye can reach far away over stream, and meadow, and hill, and take in the whole circle of the earth; there the morning and evening-red shine, not like roses and rubies, but like the very cheeks of the Goddess of Beauty; there the stars circle on, not in silence, but with the mighty voices of the pure eternal harmonies of heaven; there the child smiles like an infant-god, and the bud unfolds to magic flowers; finally, there thankfulness grows broader and devotion grows deeper, and we throw ourselves into the arms of a God, who—as I imagine his glory—is a God to whom the sublime nine great Gods pray as miserable and helpless suppliants.”
The tomtom which announced the end of the hour interrupted him.
Pentaur ceased speaking with a deep sigh, and for a minute not a scholar moved.
At last the poet laid the papyrus roll out of his hand, wiped the sweat from his hot brow, and walked slowly towards the gate of the court, which led into the sacred grove of the temple. He had hardly crossed the threshold when he felt a hand laid upon his shoulder.
He looked round. Behind him stood Ameni. “You fascinated your hearers, my friend,” said the high-priest, coldly; “it is a pity that only the Harp was wanting.”
Ameni’s words fell on the agitated spirit of the poet like ice on the breast of a man in fever. He knew this tone in his master’s voice, for thus he was accustomed to reprove bad scholars and erring priests; but to him he had never yet so spoken.