Photo-Lithography

by Georg Fritz

• Cadmium Intensification, [40]
• Chromate Salts, [48]
• Coating the Stone, [62]
• Cold Melting Process, [12]
• Correcting Negatives, [35]
• Cyanotype Paper, [24]
• — — Bleaching, [24]

• Dark Room, The, [34]
• Deep-etching Process, [11]
• Developer, [37]
• Developing Ink, [8]
• Direct Printing, [60]
• — Transfer, [15]
• Distance of Lineature, [73]
• Drawing on Blue Prints, [23]
• — — Prepared Paper, [25]

• Eberle’s Process, [11]
• Eckstein’s Process, [20]
• Electric Lamps, [31]
• Etching the Stone, [10]

• Failures in Transfers, [58]
• Fixing, [38]
• Fox Talbot, [17]
• Franz’s Paper, [55]

• Galls, Tincture of, [10]
• Gelatinizing Paper, [47]
• General Notes on Photo-lithography, [49]
• Gold and Mercury Intensifier, [38]
• Greasy Drawing Materials, [6]
• Gum Arabic, [10]

• Half-tone, Breaking up, [20]
• — Photo-lithography, [67]
• Hebensperger’s Process, [66]
• Hübl’s Hydroquinone Intensifier, [38]
• — Iso Emulsion, [43]
• Husnik’s Asphalt, [17]
• — Photo-litho Paper, [53]
• Hydroquinone Developer, [42]

• Indirect Transfer, [16]
• Inking up and Developing, [51]
• Intensification, [37]
• Intensifier, Lead, [40]
• — Mercury, [40]
• — Metol, [39]
• — Silver, [40]
• — Uranium, [40]
• Iodized Collodion, [37]
• Isochromatic Emulsion, Albert, [41]
• — — Hubl, [43]

• Lemercier and Lerebours, [16]
• Line Drawings, [21]
• Litho Chalk, Hard, [7]
• — — Soft, [8]
• — Stone, [4]
• Lithogravure, [87]
• Litho-Heliogravure, [79]
• Lithography, Theory of, [3]

• Making Direct Negatives, [36]
• Mungo, Ponton, [17]

• Negative for Photo-litho, [34]
• — Transfer with Paper, [83]
• Negré, [17]
• Nicephore, Niépce, [16]