Hegel's Lectures on the History of Philosophy: Volume 2 (of 3)

by Georg Wilhelm Friedrich Hegel

d. The fourth trope deals with the diversitude of circumstances in the subject, in reference to its condition, the changes taking place in it, which must prevent our making an assertion respecting any particular thing. The same thing manifests itself differently to the same man, according as he, for instance, is at rest or moving, asleep or awake, moved by hatred or love, sober or drunk, young or old, &c. In the diversitude of these circumstances very different judgments are passed regarding one and the same object, hence we must not talk of anything as being more than a manifestation.[200]

e. The fifth trope relates to the different positions, distances and places, for from every different standpoint the object appears to be different. In respect to position, a long passage appears to the man who stands at the one end to taper to a point at the other; but if he goes there he finds it to be of the same breadth at that end as it was at the other. Distance is likewise, properly speaking, a difference in the greatness and smallness of objects. In respect to place, the light in a lantern is quite feeble in the sunshine, and yet in darkness it shines quite brightly. Pigeons’ necks, regarded from different points of view, shimmer quite differently.[201] In regard to motion in particular very different views prevail. The best known example of such is found in the course of the sun round the earth, or the earth round the sun. As the earth is said to go round the sun, even though the opposite appears to be the case, the former assertion is based on reasons. This example does not, however, come in here, but this trope will show that because one sensuous feeling contradicts another, existence is not expressed in it.

f. The sixth trope is taken from intermixture, because nothing comes within the scope of the sense alone and isolated, but only as mingled with something else; this admixture with something else, however, causes change, just as scents are stronger in the sunshine than in cold air, &c. Further, through the subject himself, this admixture comes in; the eyes consist of various tunics and humours, the ear has different passages, &c., consequently they cannot allow sensations—the light or the voice—to come to us in their purity, for the sensuous element comes to us first of all modified by these tunics of the eye and likewise by the passages of the ear.[202] But if we are to express ourselves in this particular manner, the direct opposite might likewise be maintained, that the sensuous element there present is simply purified; the apprehending ear, for example, again purifies the voice that comes in bodily form from a soul.

g. The seventh trope is the cohesion, the size or quantity of things, through which they appear different; for instance, we see how glass is transparent, but loses this transparency when it is pounded, and thus has its cohesion altered. Shavings of goat’s-horn appear to be white, but the whole piece looks black; or Carrara marble ground into powder looks white, though the whole piece is yellow. The same holds good as regards quantity. A moderate portion of wine fortifies and exhilarates, a large quantity of it destroys the body, and the case is similar with drugs.[203] If the quantity is not to be spoken of as the substance, it is still an abstraction that quantity and combination are matters of indifference as regards quality and disintegration; the change of quantity likewise changes the quality.

h. The eighth trope arises from the relativity of things, and is thus the universal trope of relationship. This relativity of everything existent and thought is a more inward, real determinateness, and all the tropes already mentioned really aim at it. “According to this trope,” says Sextus (Pyrrh. Hyp. I. c. 14, §§ 135, 136), “we conclude that since everything is in relation to something, we must withhold our judgment as to what it is on its own account and in its nature. But it must be remarked that we here make use of ‘is’ in the sense of appearance only. Relationship is used in two respects: first in relation to the judging subject,” and this difference we saw in the previous tropes, “and in the second place in relation to the object which is to be judged, like right and left.” Sextus, in the passage above (§§ 137, 140), argues as follows: “As regards what is set forth on its own account and separate from others, is it distinguished from the mere relative or not? If it were not different from it, it would itself be a relative. If it is different, it again is a relative. That is to say, what is different is related to something, for it is set forth in relation to that from which it is distinguished.” Relativity, generally, is present in what is absolutely predicated, for relationship is a relationship in itself and not to another. Relationship contains opposition: what is in relation to another is on the one hand independent on its own account, but on the other, because it is in relationship, it is likewise not independent. For if anything is only in relation to something else, the other likewise belongs to it; it is thus not on its own account. But if its other already belongs to it, its non-being also already belongs to it, and it is a contradictory as soon as it is not without its other. “But because we cannot separate the relative from its other, we likewise do not know what it is on its own account and in its nature, and we must consequently suspend our judgment.”

i. The ninth trope is the more or less frequent occurrence of things, which likewise alters one’s judgment upon the things. What happens seldom is more highly esteemed than what comes to pass frequently; and custom brings about the fact that one judges in this way and the other in that way. Custom is thus made a circumstance which also permits us to say that things appear so and so to us, but not universally and generally that they are so.[204] When men say of any particular things that “this is so,” circumstances may be instanced in which the opposite predicate is applicable to them also. If, for example, we remain at the abstraction of the man, does it really signify whether or not we have a prince?—No. States?—No. A republic?—No, and so on, for they are here and not there.

k. The tenth trope mainly concerns ethics and is related to manners, customs and laws. What is moral and legal is likewise not such; for what is here considered to be right is elsewhere held to be wrong. The attitude of Scepticism in this regard is to show that the opposite of what is maintained as valid law holds equally good. As regards the ordinary understanding respecting the validity of this and that maxim, e.g. that the son has to pay the debts of his father, the ultimate and indeed only ground lies in its being said that this is true in its immediacy, for it holds good as law or custom. As against this the Sceptics likewise prove the opposite, saying for instance, that the son has, indeed, to undertake the debts of the father by the law of Rhodes; but in Rome he does not require to do so, if he has renounced his claim on the paternal goods.[205] As in the existence of what is determined, which is held to be true because it is, the opposite is shown to exist; so in the case of laws, if their ground is that they are in force, their opposite can be demonstrated. The natural man has no consciousness of the presence of opposites; he lives quite unconsciously in his own particular way, in conformity with the morality of his town, without ever having reflected on the fact that he practises this morality. If he then comes into a foreign land, he is much surprised, for through encountering the opposite he for the first time experiences the fact that he has these customs, and he immediately arrives at uncertainty as to whether his point of view or the opposite is wrong. For the opposite of what held good to him holds equally good, and he does not possess any further ground for his practice; so that since the one holds good equally with the other, neither holds good.

We now see in these modes that, properly speaking, they are not logical modes at all, nor have they to do with the Notion, for they proceed directly against empiricism. Something is by immediate certainty given out as being true, the opposite of this last is from some other point of view demonstrated to be equally true, and thus its other-being is set forth as valid. The different modes in which the non-validity of the first and the validity of the other-being relate to one another, are ranged under the above heads. If we now classify these ten tropes in conformity with the plan indicated above by Sextus (p. 347), we find in the first four tropes the dissimilarity of the object to depend on the judging subject, because that which judges is either the animal or the man or one of his senses or particular dispositions in him. Or the dissimilarity depends on the object, and here we come to the seventh and tenth tropes, since first the amount makes a thing into something quite different, and then the code of morals in different places makes itself the only absolute, excluding and prohibiting any other. The fifth, sixth, eighth and ninth tropes finally deal with a union of both sides, or these all together contain the relationship; this is a demonstration that the object does not present itself in itself, but in relation to something else.

From content and form we see in these modes their early origin; for the content, which has only to deal with Being, shows its change only, takes up only the variability of its manifestation, without showing its contradiction in itself, i.e. in its Notion. But in form they show an unpractised thought, which does not yet bring the whole of these examples under their universal points of view, as is done by Sextus, or which places the universal, relativity, alongside of its particular modes. On account of their dulness we are not accustomed to lay great stress on such methods, nor esteem them of any value; but, in fact, as against the dogmatism of the common human understanding they are quite valid. This last says directly, “This is so because it is so,” taking experience as authority. Now through these modes this understanding will be shown that its belief has contingencies and differences within it, which at one time present a thing in this way and at another time in that way; and thereby it will be made aware that it itself, or another subject, with equal immediacy and on the same ground (on none at all), says: “It is not so, for it really is the opposite,” Thus the signification of these tropes has still its value. Should faith or right be founded on a feeling, this feeling is in me, and then others may say: “It is not in me.” If one person’s tastes are to be accepted as authoritative, it is not difficult to demonstrate that another person’s tastes are utterly opposite, but Being is thereby degraded into seeming, for in every assurance such as that, the opposite holds equally good.