He himself was of the wildest temperament, brooding deeply within himself, and yet breaking out into violence in the most contradictory manner; within him there also raged a consuming restlessness. I have epitomized the description which he gives of his own character, and now quote it: “I have by nature a mind of philosophic and scientific cast; I am witty, elegant, well-bred, fond of luxury, cheerful, pious, faithful, a lover of wisdom, reflective, enterprising, studious, obliging, emulous, inventive, self-taught. I have a longing to perform prodigies, I am crafty, cunning, bitter, versed in secrets, sober, diligent, careless, talkative, contemptuous of religion, vindictive, envious, melancholy, malicious, treacherous, a sorcerer, a magician, unhappy; I am surly to my family, ascetic, difficult to deal with, harsh, a soothsayer, jealous, a ribald talker, a slanderer, compliant, inconstant; such contradictoriness of nature and manners is to be found in me.”[66]

His writings are in parts just as utterly unequal as his character. In them he gave vent to the wild vehemence of his nature; they are disconnected and contradictory, and were often written in the direst poverty. They contain a medley of all kinds of astrological and chiromantic superstition, yet lit up here and there with profound and brilliant flashes; there are Alexandrine and Cabalistic mysteries side by side with perfectly lucid psychological observations of his own. He treated astrologically the life and deeds of Christ. His positive merit consists, however, rather in the stimulus which he gave to original production, and in this direction he exercised an important influence on his times. He boasted of the originality and novelty of his ideas, and the craze to be original drove him to the strangest devices. This represents the first form taken by the newly awakened and energizing reason in its spontaneous activity; to be new and different from others was regarded as tantamount to possessing a private claim to science.

[2. Campanella.]

Tommaso Campanella, a student of Aristotle, represents just such another medley of all possible dispositions. He was born at Stilo, in Calabria, in 1568, and died at Paris in 1639. Many of his writings still remain to us. For seven-and-twenty years of his life he was kept in strict imprisonment at Naples.[67] Such men as he aroused enormous interest and gave great offence, but on their own account they were productive of very little result. We have still to make special mention of Giordano Bruno and Vanini as belonging to this period.

[3. Bruno.]

Giordano Bruno was of an equally restless and effervescent temperament, and we see in him a bold rejection of all Catholic beliefs resting on mere authority. In modern times he has again been brought into remembrance by Jacobi (Werke, Vol. IV. Section II. pp. 5-46), who appended to his letters on Spinoza an abstract of one of Bruno’s works.[68] Jacobi caused great attention to be paid to Bruno, more especially by his assertion that the sum of Bruno’s teaching was the One and All of Spinoza, or really Pantheism; on account of the drawing of this parallel Bruno obtained a reputation which passes his deserts. He was less restless than Cardanus; but he had no fixed habitation on the earth. He was born at Nola in the province of Naples, and lived in the sixteenth century; the year of his birth is not known with certainty. He roamed about in most of the European states, in Italy, France, England, Germany, as a teacher of philosophy: he forsook Italy, where at one time he had been a Dominican friar, and where he had made bitter reflections both upon various Catholic dogmas—for instance, on transubstantiation and the immaculate conception of the Virgin—and upon the gross ignorance and scandalous lives of the monks. He then lived in Geneva in 1582, but there he fell out in the same way with Calvin and Beza, and could not live with them: he made some stay in several other French cities, such as Lyons; and after a time he came to Paris, where in 1585 he formally challenged the adherents of Aristotle, by following a practice greatly in favour in those days (supra, p. 112), and proposing for public disputation a series of philosophic theses, which were specially directed against Aristotle. They appeared under the title Jord. Bruni Nol. Rationes articulorum physicorum adversus Peripateticos Parisiis propositorum, Vitebergæ apud Zachariam Cratonem, 1588; he was not successful in them, however, as the position of the Aristotelians was still too well assured. Bruno was also in London; he visited Wittenberg in the year 1586; he likewise stayed in Prague and other universities and towns. In Helmstedt he was high in the favour of the Dukes of Brunswick-Lüneburg in 1589; after that he went to Frankfort-on-Main, where he had several of his works printed. He was a wandering professor and author. Finally he came back to Italy in 1592, and lived in Padua for some time undisturbed, but at last he was seized in Venice by the Inquisition, cast into prison, sent on to Rome, and there in the year 1600, refusing to recant, he was burned at the stake as a heretic. Eye-witnesses, and amongst them Scioppius, recount that he met death with the most unflinching courage. He had become a Protestant when in Germany, and had broken the vows of his order.[69]

Among both Catholics and Protestants his writings were held to be heretical and atheistic, and therefore they were burned and destroyed, or kept in concealment. His complete works are hence very seldom met with; the greatest number of them are to be found in the University Library at Gottingen; the fullest account of them is given in Buhle’s History of Philosophy (supra, Vol. I. p. 113). His works are for the most part rare, and in many cases interdicted; in Dresden they are still included among prohibited writings, and are therefore not to be seen there. Lately[70] an edition of them in the Italian language was prepared,[71] which possibly has never yet been issued. Bruno also wrote a great deal in Latin. Wherever he took up his abode for a time, he gave public lectures, wrote and published works; and this increases the difficulty of making complete acquaintance with his books. Many of his writings are for the above reason very similar in their matter, the form only being different, and in the evolution of his thoughts he never consequently advanced very much nor attained to any results. But the leading characteristic of his various writings is really to some extent the grand enthusiasm of a noble soul, which has a sense of indwelling spirit, and knows the unity of its own Being and all Being to be the whole life of thought. There is something bacchantic in his way of apprehending this deep consciousness; it overflows in becoming thus an object of thought, and in the expression of its riches. But it is only in knowledge that spirit can bring itself forth as a whole; when it has not yet attained to this point of scientific culture, it reaches out after all forms, without bringing them first into due order. Bruno displays just such an unregulated and multiform profusion; and on that account his expositions have frequently a dreamy, confused, allegorical appearance of mystical enthusiasm. Many of his writings are in verse, and much that is fantastic finds a place in them, as for instance when he says in one of his works, entitled La Bestia Trionfante, that something else must be put in place of the stars.[72] He sacrificed his personal welfare to the great enthusiasm which filled him, and which left him no peace. It is easy to say that he was “a restless being, who could get on with nobody.” But whence did this restlessness come to him? What he could not get on with was the finite, the evil, the ignoble. Thence arose his restlessness. He rose to the one universal substantiality by putting an end to this separation of self-consciousness and nature, whereby both alike are degraded. God was in self-consciousness, it was admitted, but externally, and as remaining something different from self-consciousness, another reality; while Nature was made by God, being His creature, not an image of Him. The goodness of God displayed itself only in final causes, finite ends, as when it is said: “Bees make honey for man’s food; the cork tree grows to provide stoppers for bottles.”[73]

As to his reflections, Jacobi has by his recent[74] exposition of them made it seem as if it were a theory specially characteristic of Bruno that one living Being, one World-Soul, should penetrate all existence, and should be the life of all. Bruno asserted, in the first place, the unity of life and the universality of the World-Soul, and, in the second place, the indwelling presence of reason; but Bruno in so saying is far from being original, and in fact this doctrine is a mere echo of the Alexandrian. But in his writings there are two specially marked features. The first is the nature of his system, based as it is on his leading thoughts, or his philosophic principles generally, namely the Idea as substantial unity. The second, which is closely connected with the first, is his use of the Art of Lullius; this is specially emphasized and highly esteemed by him, the art of finding differences in the Idea: it he wished to bring into special recognition.

a. His philosophic thoughts, to express which he sometimes made use of Aristotle’s concepts, give evidence of a peculiar, highly strung and very original mind. The substance of his general reflections is found in the greatest enthusiasm for the above-mentioned vitality of Nature, divinity, the presence of reason in nature. His philosophy is thus on the whole certainly Spinozism, Pantheism. The separation of man from God or the world, all such relations of externality, have been superadded to his living idea of the absolute, universal unity of all things, for the expression of which idea Bruno has been so greatly admired. In his conception of things the main points are that, on the one hand, he gives the universal determination of matter, and, on the other hand, that of form.

α. The unity of life he thus determines as the universal, active understanding (νοῦς), which manifests itself as the universal form of all the world, and comprehends all forms in itself; it bears the same relation to the production of natural objects as does the understanding of man, and moulds and systematizes them, as the human understanding moulds the multitude of its concepts. It is the artist within, who shapes and forms the material without. From within the root or the seed-grain it makes the shoot come forth; from this again it brings the branches, and from them the twigs, and from out of the twigs it calls forth the buds, and leaves, and flowers. All is planned, prepared and perfected within. In the same way this universal reason within calls back their saps from the fruits and blossoms to the twigs, and so on. The universe is thus an infinite animal, in which all things live and move and have their being in modes the most diverse. The formal understanding is thus in no wise different from the Final Cause (the Notion of end, the entelechy, the unmoved principle, which we meet with in Aristotle); but these are just as truly also active understanding, the efficient cause (causa efficiens), this same producing force. Nature and Spirit are not separated; their unity is the formal understanding, in which is contained the pure Notion, not as in consciousness, but as free and independent, remaining within itself, and at the same time exercising activity and passing beyond itself. The understanding working towards one particular end is the inward form of the thing itself, an inward principle of the understanding. What is continually produced is in accordance with this form, and contained within it; what appears is determined as the form is in itself determined.[75] With Proclus in the same way the understanding, as substantial, is that which includes all things in its unity: life is the outgoing, the producing force: and the understanding as such similarly includes the returning force, which brings all things back into unity. In dealing with Kant’s philosophy we shall have again to mention this determination of final purpose. That which has organic life, whose principle is formative, which has its efficacy in itself, and in the same only remains at home with itself and maintains itself, is nothing but the end, the activity determined in itself, which in its relation to what is different does not comport itself as mere cause, but returns upon itself.