[26] "Element:" perhaps more especially any mental function entering into art—sense, imagination, understanding, etc.
[27] "Philosophy," "Wissenschaft."
[28] "Haltpunkte:" ultimate points that the matter of art must not leave hold of, leading ideas that must somehow dominate it.
[29] "Gestaltung:" shaping, as if arrangement of shapes.
[30] "Kunstkenntniss."
[31] "Gelehrsamkeit."
[32] "Paränetischen Lehren."
[33] "Bildenden Künste." I am not sure if I have given the best rendering. It is wider than Plastik, because it includes painting and architecture.
[34] Die Horen—the monthly magazine whose establishment by Schiller, in 1795, first brought Schiller and Goethe into contact. It only existed for three years. See Scherer, Eng. Trans., ii. 173.
[35] That is, not a caprice of nature or art, but the perfection of the object after its kind.