[120] In sich materiell particularisirt. We see Hegel's false notions of the theory of colour influencing his expression. It is really false to say that sculpture has nothing to do with colour. Light and shadow at least are necessary and colour is implied.
[121] That is, lets fall some of its aspects.
[122] Das Gemüth. Strictly the more emotional part.
[123] Between the extremes of architecture and poetry or music.
[124] Lit., "Without being manifested in its return to itself as ideal substance."
[125] Unparticularized, that is in its essential experience.
[126] He explains this lower down. The concentrated point is in the flash of the eye. Perhaps here he merely refers to it generally.
[127] Als Innerlichkeit.
[128] This is only partially true of bronze, and any marble that has had weathering.
[129] By grosse geistige Sinn Hegel means no doubt more than "taste." He refers to the deep-rooted instinct in the genius of the race.