Starting then from the vantage of these general observations we may indicate the course of our inquiry as follows:
Firsts we propose to consider the dramatic composition, both in its general and more detailed features, in the contrast it presents to epic and lyrical poetry.
Secondly, our attention will be directed to its scenic presentation and the conditions of this necessity.
Thirdly, we shall pass under review the different types of dramatic poetry as we find them realized in the concrete facts of past history.
[1. THE DRAMA AS A POETICAL ART-PRODUCT]
What we have, in the first instance, to define more emphatically is the poetic aspect of the dramatic composition as such, that is to say in its independence of the fact that the same is necessarily presented to our direct vision on the stage. Our investigation of this will do well to concentrate itself on the following points:
Firsts there is the general principle of dramatic poetry.
Secondly, we have the several specific types of dramatic composition.
Thirdly, there is the relation which obtains between these and the public audience.