It is a very fair face to look upon, shaded by masses of soft, sunny silken hair, and lighted up by large, eloquent eyes of the darkest blue. It would be almost faultless, were it not for the extreme effeminacy, which the delicately trained moustache fails to redeem. He is one of "my lady's" prime favourites; she has assisted him ere this with her countenance and counsel, when such help was sorely needed; for it is a wild, wicked little creature—reckless and enterprising as Richelieu in his pagehood—always gambling and love-making, in places where he has no earthly business to risk his money or his heart. With those smooth pink-and-white cheeks, and plaintive manner, and innocent ways of his, The Cherub has done more mischief already than a dozen years of perpetual penance could atone for. At this moment he is confiding to "my lady" the hopes and fears of his last passion malheureuse, suppressing carefully the name of the object—a very superfluous precaution, for Lady Mildred has guessed it long ago, and can afford to be amused—innocently. She knows, what Bertie does not wot of, that his pursuit will be absolutely theoretical and fruitless.

Very near them, lounges Max Vavasour. He looks up, ever and anon, from that eternal novelette, and as his eye meets his mother's, a quick glance of intelligence passes between them. It is more than probable that he has been, told off for "interior and picket duty" this evening, but the time for action has not yet come.

Only two of the party remain to be noticed. They are sitting together, rather remote from the rest, and somewhat in the shadow. We will take the younger man first, though his appearance is not exactly attractive.

His features, naturally coarse and exaggerated, bear evident traces of self-indulgence, if not of intemperance; that cruel sensual mouth would spoil a better face, and the effect of an unpleasantly sanguine complexion is rather heightened than relieved by crisp, strong reddish hair, coming low down on the heavy forehead, and framing the pendulous cheeks; his big, ungainly frame is far too full and fleshy for his years; one solitary sign of "race" shows itself in his hands, somewhat large, but perfectly shaped. Yet, if the possessor of all these personal disadvantages were to enter any London drawing-room side by side with Bertie Grenvil, and it were a question of being warmly welcomed, the odds would be heavily against the Guardsman. I wish an "alarum and flourish of trumpets" were available to accompany the announcement of so august a name. That is no other than Raoul, tenth Earl of Clydesdale, Viscount Artornish, lord of a dozen minor baronies, and Premier Parti of England.

His income varies by tens of thousands, according to the price of divers minerals, but never falls short of the colossal. He owns broad lands and manors in nearly every county north of the Tyne; and, when he came of age four years ago, the border-side blazed with as many bale-fires, as ever were lighted in old days to give warning that the lances of Liddesdale were out on the foray. Ever since he left college, the match-makers of Great Britain have been hard on his trail; and his movements, as chronicled in the Post, are watched with a keener interest than attaches to the "progress" of any royal personage. He is so terribly wealthy that even the great city financiers speak of his resources with a certain awe; for, independently of his vast income, there are vague reports of accumulations, varying from a quarter to half a million. His father died when the present Earl was in his cradle.

There is nothing very remarkable, outwardly, about the other man. Harding Knowles has rather a disappointing face: you feel that it ought to have been handsome, and yet that is about the last epithet you would apply to it. The features individually are good, and there is plenty of intellect about them, though the forehead is narrow; but the general expression is disagreeable—something between the cunning and the captious. There is a want of repose, just now, about his whole demeanour—a sort of fidgety consciousness of not being in his right place; he is always changing his position restlessly, and his hands are never still for a moment. He had been Clydesdale's "coach" at Oxford for two or three terms, and had acquired a certain hold on the latter's favour, chiefly by the exercise of a brusque, rough flattery, which the Earl chose to mistake for sincerity and plain speaking.

No parasite can be perfect, unless he knows when to talk and when to hold his tongue. Knowles had mastered that part of the science, thoroughly. On the present occasion he saw that the silent humour possessed his patron, and was careful not to interrupt the lordly meditations; only throwing in now and then a casual observation requiring no particular answer. No one dreams of deep drinking nowadays in general society; but the Earl has evidently taken quite as much claret as was good for him—enough to make him obstinate and savage. That pair at the piano seem to fascinate him strangely. He keeps watching every movement of Wyverne's lips, and every change in Helen's colour, as if he would guess the import of their low earnest words. A far deeper feeling than mere curiosity is evidently at work. It is well that the half-closed fingers shade his eyes just now, for they are not good to meet—hot and blood-shot, with a fierce longing and wrathful envy. Not an iota of all this escaped Harding Knowles; but he allowed the bad brutal nature to seethe on sullenly, till he deemed it was time to work the safety-valve.

"A pretty picture," he said at last, with rather a contemptuous glance in the direction of the lovers—Clydesdale ground out a bitter blasphemy between his teeth; but the other went on as if he had heard nothing—"Yes, a very pretty picture; and Sir Alan Wyverne deserves credit for his audacity. But I can't help feeling provoked, at such a rare creature being so perfectly thrown away. If ever there was a woman who was born to live in state, she sits there; and they will have to be pensioners of the Squire's, if they want anything beyond necessaries. It's a thousand pities."

"You mean she might have made a better match?" the other asked: he felt he must say something, but he seemed to speak unwillingly, and his voice, always harsh and guttural, sounded thicker and hoarser than usual.

"Yes, I am sure she might have made a better match: I think she might have made—the best in England."