4. Internal Anarchy (ix. 18-21).—Even yet the people did not repent; their calamities only drove them to further wickedness. The prophet's eyes are opened to the awful fact that God's wrath is but the blast that fans men's hot sins to flame. This is one of those two or three awful scenes in history, in the conflagration of which we cannot tell what is human sin and what Divine judgement. There is a panic wickedness, sin spreading like mania, as if men were possessed by supernatural powers. The physical metaphors of the prophet are evident: a forest or prairie fire, and the consequent famine, whose fevered victims feed upon themselves. And no less evident are the political facts which the prophet employs these metaphors to describe. It is the anarchy which has beset more than one corrupt and unfortunate people, when their misleaders have been overthrown: the anarchy in which each faction seeks to slaughter out the rest. Jealousy and distrust awake the lust for blood, rage seizes the people as fire the forest, and no man spareth his brother. We have had modern instances of all this; these scenes form a true description of some days of the French Revolution, and are even a truer description of the civil war that broke out in Paris after her late siege.

"If that the heavens do not their visible spirits
Send quickly down to tame these vile offences,
'T will come,
Humanity must perforce prey on itself
Like monsters of the deep."[7]

5. The Threat of Captivity (x. 1-4).—Turning now from the past, and from the fate of Samaria, with which it would appear he has been more particularly engaged, the prophet addresses his own countrymen in Judah, and paints the future for them. It is not a future in which there is any hope. The day of their visitation also will surely come, and the prophet sees it close in the darkest night of which a Jewish heart could think—the night of captivity. Where, he asks his unjust countrymen—where will ye then flee for help? and where will you leave your glory? Cringing among the captives, lying dead beneath heaps of dead—that is to be your fate, who will have turned so often and then so finally from God. When exactly the prophet thus warned his countrymen of captivity we do not know, but the warning, though so real, produced neither penitence in men nor pity in God. For all this His anger is not turned away, but His hand is stretched out still.

6. The Assyrian Invasion (v. 26-30).—The prophet is, therefore, free to explain that cloud which has appeared far away on the northern horizon. God's hand of judgement is still uplifted over Judah, and it is that hand which summons the cloud. The Assyrians are coming in answer to God's signal, and they are coming as a flood, to leave nothing but ruin and distress behind them. No description by Isaiah is more majestic than this one, in which Jehovah, who has exhausted every nearer means of converting His people, lifts His undrooping arm with a flag to the nations that are far off, and hisses or whistles for them from the end of the earth. And, behold, they come with speed, swiftly: there is no weary one nor straggler among them; none slumbers nor sleeps; nor loosed is the girdle of his loins, nor broken the latchet of his shoes; whose arrows are sharpened, and all their bows bent; their horses' hoofs are like the flint, and their wheels like the whirlwind; a roar have they like the lion's, and they roar like young lions; yea, they growl and grasp the prey, and carry it off, and there is none to deliver. And they growl upon him that day like the growling of the sea; and if one looks to the land, behold, dark and distress, and the light is darkened in the cloudy heaven.

Thus Isaiah leaves Judah to await her doom. But the tones of his weird refrain awaken in our hearts some thoughts which will not let his message go from us just yet.

It will ever be a question, whether men abuse more their sorrows or their joys; but no earnest soul can doubt, which of these abuses is the more fatal. To sin in the one case is to yield to a temptation; to sin in the other is to resist a Divine grace. Sorrow is God's last message to man; it is God speaking in emphasis. He who abuses it shows that he can shut his ears when God speaks loudest. Therefore heartlessness or impenitence after sorrow is more dangerous than intemperance in joy; its results are always more tragic. Now Isaiah points out that men's abuse of sorrow is twofold. Men abuse sorrow by mistaking it, and they abuse sorrow by defying it.

Men abuse sorrow by mistaking it, when they see in it nothing but a penal or expiatory force. To many men sorrow is what his devotions were to Louis XI., which having religiously performed, he felt the more brave to sin. So with the Samaritans, who said in the stoutness of their hearts, The bricks are fallen down, but we will build with hewn stones; the sycomores are cut down, but we will change them into cedars. To speak in this way is happy, but heathenish. It is to call sorrow "bad luck;" it is to hear no voice of God in it, saying, "Be pure; be humble; lean upon Me." This disposition springs from a vulgar conception of God, as of a Being of no permanence in character, easily irritated but relieved by a burst of passion, smartly punishing His people and then leaving them to themselves. It is a temper which says, "God is angry, let us wait a little; God is appeased, let us go ahead again." Over against such vulgar views of a Deity with a temper Isaiah unveils the awful majesty of God in holy wrath: For all this His anger is not turned away, but His hand is stretched out still. How grim and savage does it appear to our eyes till we understand the thoughts of the sinners to whom it was revealed! God cannot dispel the cowardly thought, that He is anxious only to punish, except by letting His heavy hand abide till it purify also. The permanence of God's wrath is thus an ennobling, not a stupefying doctrine.

Men also abuse sorrow by defying it, but the end of this is madness. "It forms the greater part of the tragedy of King Lear, that the aged monarch, though he has given his throne away, retains his imperiousness of heart, and continues to exhibit a senseless, if sometimes picturesque, pride and selfishness in face of misfortune. Even when he is overthrown he must still command; he fights against the very elements; he is determined to be at least the master of his own sufferings and destiny. But for this the necessary powers fail him; his life thus disordered terminates in madness. It was only by such an affliction that a character like his could be brought to repentance, ... to humility, which is the parent of true love, and that love in him could be purified. Hence the melancholy close of that tragedy."[8] As Shakespeare has dealt with the king, so Isaiah with the people; he also shows us sorrow when it is defied bringing forth madness. On so impious a height man's brain grows dizzy, and he falls into that terrible abyss which is not, as some imagine, hell, but God's last purgatory. Shakespeare brings shattered Lear out of it, and Isaiah has a remnant of the people to save.