By all the laws of laughing, every man is at liberty to play the fool with himself; but some people, fearful it would take from their consequence, choose to do it by proxy: hence comes the appearance of keeping fools in great families. [Takes the head.] Thus are they dressed, and shew, by this party-coloured garment, they are related to all the wise families in the kingdom.

This is a Fool's Cap; 'tis put upon Nobody's head. Nobody's face is without features, because we could not put Anybody's face upon Nobody's head. This is the head of Somebody. [Takes the head.] It has two faces, for Somebody is supposed to carry two faces. One of these faces is handsome, the other rather ill-favoured. The handsome face is exhibited as a hint to that part of mankind who are always whispering among their acquaintance, how well they are with Somebody, and that Somebody is a very fine woman. One of those boasters of beauty, one night at a tavern, relating his amazing amours, the toast-master called him to order, and a gentleman in a frolic, instead of naming any living lady for his toast, gave the Greek name of the tragic muse Melpomene; upon which the boaster of beauty, the moment he heard the word Melpomene, addresses the toast-master, "Oh! ho! Mr. Toastmaster, you are going a round of demireps. Ay, ay, Moll Pomene, I remember her very well; she was a very fine girl, and so was her sister, Bet Po-mene; I had 'em both at a certain house, you know where?" Can we help smiling at the partiality of the present times? that a man should be transported if he snares a hare, or nets a partridge, and yet there is no punishment for those whisperers away of ladies' reputations? But ill tongues would fall hurtless were there no believers to give them credit; as robbers could not continue to pilfer were there no receivers of stolea goods.

Here is the head [takes it] of Anybody, with his eyes closed, his mouth shut, and his ears stopped; and this is exhibited as an emblem of wisdom; and anybody may become wise, if they will not spy into the faults of others, tell tales of others, nor listen to the tales of others, but mind their own business, and be satisfied. Here is the head [takes it] of Everybody. [ Turns the head round.] This is to show how people dread popular clamour, or what all the world will say, or what every body will say. Nay, there is not a poor country wench, when her young master the 'squire attempts to delude her, but will immediately reply to him, "Lord!—Your honour!—What will the world say?" And this, what will the world say, is what everybody is anxious after, although it is hardly worth anybody's while to trouble their heads with the world's sayings.

These four heads of Nobody, Everybody, Somebody, and Anybody, form a fifth head, called a Busybody. The Busybody is always anxious after something about Somebody. He'll keep company with Anybody to find out Everybody's business; and is only at a loss when this head stops his pursuit, and Nobody will give him an answer. It is from these four heads the fib of each day is fabricated. Suspicion begets the morning whisper, the gossip Report circulates it as a secret, wide-mouthed Wonder gives Credulity credit for it, and Self-interest authenticates that, as Anybody may be set to work by Somebody, Everybody's alarmed at it, and, at last, there is Nobody knows any thing at all of the matter. From these four heads people purchase lottery-tickets, although calculation demonstrates the odds are so much against them; but Hope flatters them, Fancy makes them believe, and Expectation observes, that the twenty thousand pounds prizes must come to Somebody [gives the head off]; and, as Anybody may have them [gives the head off], and Nobody knows who [gives the head off], Everybody buys lottery-tickets. [Gives the head off.]

Most difficult it is for any single speaker long to preserve the attention of his auditors: nay, he could not continue speaking, conscious of that difficulty, did he not depend greatly on the humanity of his hearers. Yet it is not flattery prompts the lecturer to this address; for, to shew in how odious a light he holds flattery, he here exposes the head of flattery. [Takes the head.]

This being, called Flattery, was begat upon Poverty, by Wit; and that is the reason why poor wits are always the greatest flatterers. The ancients had several days they called lucky and unlucky ones; they were marked as white and black days. Thus is the face of Flattery distinguished; to the lucky she shews her white, or shining profile; to the unlucky she is always in eclipse: but, on the least approach of calamity, immediately Flattery changes into reproach. [Opens the head.] How easy the transition is from flattery into reproach; the moral of which is, that it is a reproach to our understandings to suffer flattery. But some people are so fond of that incense, that they greedily accept it, though they despise the hand that offers it, without considering the receiver is as bad as the thief. As every head here is intended to convey some moral, the moral of this head is as follows: This head was the occasion of the first duel that ever was fought, it then standing on a pillar, in the centre, where four roads met. Two knights-errant, one from the north, and one from the south, arrived at the same instant at the pillar whereon this head was placed: one of the knights-errant, who only saw this side of the head, called out, "It is a shame to trust a silver head by the road side." "A silver head!" replied the knight, who only saw this side of the head, "it is a black head." Flat contradiction produced fatal demonstration; their swords flew out, and they hacked and hewed one another so long, that, at last, fainting with loss of blood, they fell on the ground; then, lifting up their eyes, they discovered their mistake concerning this image. A venerable hermit coming by, bound up their wounds, placed them again on horseback, and gave them this piece of advice, That they never hereafter should engage in any parties, or take part in any dispute, without having previously examined both sides of the question.

We shall now conclude this part of the lecture with four national characters.