And with a practical eye, wise and cool even despite the pain of his wounded arm, he examined three or four of the boats as best he could by moonlight.
The girl and he agreed on one to use.
“Yes, this looks like the most suitable,” judged the engineer, indicating a rough, banca-like craft nearly sixteen feet long, which had been carved and scraped and burned out of a single log.
He helped Beatrice in, then cast off the rope. In the bottom lay six paddles of the most degraded state of workmanship. They showed no trace of decoration whatsoever, and the lowest savages of the pre-cataclysmic era had invariably attempted some crude form of art on nearly every implement.
The girl took up one of the paddles.
“Which way? Up-stream?” asked she. “No, no, you mustn't even try to use that arm.”
“Why paddle at all?” Stern answered. “See here.”
He pointed where a short and crooked mast lay, unstopped, along the side. Lashed to it was a sail of rawhides, clumsily caught together with thongs, heavy and stiff, yet full of promise.
Stern laughed.
“Back to the coracle stage again,” said he. “Back to Caesar's time, and way beyond!” And he lifted one end of the mast. “Here we've got the Seuvian pellis pro velis, the ‘skins for sails’ all over again--only more so. Well, no matter. Up she goes!”