His fingers closed on a small, hollow shell of gold.
“A molar, so help me! All that's left of some forgotten white man who fell here, at the door, a thousand years ago!”
Speechless, the girl took the shell from him and examined it.
“You're right, Allan,” she answered. “This certainly is a hollow gold crown. Any one can see that, in spite of the patina that's formed over the metal. Why--what can it all mean?”
“Search me! The patriarch's record gave the impression that this eastern expedition set out within thirty years or so of the catastrophe. Well, in that short time it doesn't seem possible there could have developed savages fighting with flints and so on. But that there certainly was a battle here at this door, and that the cathedral was used as a fort against some kind of invasion is positively certain.
“Why, look at the chips of concrete knocked off the jamb of the door here! Must have been some tall mace-work where you're standing, Beta! If we could know the complete story of this expedition, its probable failure to reach New York, its entrapment here, the siege and the inevitable tragedy of its end--starvation, sorties, repulses, hand-to-hand fighting at the outer gates, in the nave, here at the crypt door, perhaps on the stairs and in the vaults below--then defeat and slaughter and extinction--what a tremendous drama we could formulate!”
Beatrice nodded. Plain to see, the thought depressed her.
“Death, everywhere--” she began, but Allan laughed.
“Life, you mean!” he rallied. “Come, now, this does no good, poking in the rubbish of a distant tragedy. Real work awaits us. Come!”
He picked up the torch, and with his primitive but serviceable matches lighted it. The smoke rose through the silent air of the cathedral, up into a broad sunlit zone from a tall window in the transept, where it writhed blue and luminous.