sides of the body are railed or carved, and the top is of a very ornamental character, similar to the howdah of state that is placed on an elephant. It has a domed roof, supported upon four pillars, with curtains to the back and sides [[Plate 5]]. The passengers ride cross-legged under the dome, on pillows. The driver sits on the pole, which is broad at the butt-end, and he is screened from the heat by a cloth which is fastened to the dome roof and supported upon two stakes which point outwards from the body. A variety of different shaped native vehicles may be seen in elaborate models in the India Museum at South Kensington, but they do not show much originality of design nor beauty of execution, and are said to be really creaking and lumbering affairs. When the Hindoos wished for a four-wheeled vehicle, the plan appears to have been to hook on one two-wheeled vehicle behind another [[Plate 6]], connecting them with a perch-bolt, and upon the hindermost they placed the body.
There is a singular addition to their vehicles outside the wheels; a piece of wood curved to the shape of the wheel is placed above it, frequently supported by two straight uprights from the end of the axle-tree outside the wheel; this acts as a wing or guard to keep any one from falling out of the vehicle, and also the dress of the passengers from becoming entangled in the wheel. In addition, a long bar of wood, rather longer than the diameter of the wheel, curved in the shape called “cupid’s bow,” is fastened to the axletree, the linchpin being outside of it, and the ends of the bar tied to the ends of the wing by cords. I imagine it to be placed in order to be a safeguard for the people in crowded streets, who might be pushed by the throng against the wheel. It will be seen in many of the models, and I have seen it also in ancient drawings of Indian and Persian vehicles. Many of the carts, which are designed to carry heavy loads, have a curved rest from 20 in. to 30 in. long attached to the lower side of the front end of the pole; this serves not only as a prop whilst the vehicle is being loaded, but, should the oxen trip and fall, it supports the cart, and prevents the load, yoke, and harness from weighing down the poor animals as they struggle to recover themselves. In England we have very few of these humane contrivances; we have, however, short rests to prop up a hansom cab when not at work.
In India there are several huge unwieldy structures on wheels called “idol cars;” the name of the car of Juggernaut must be familiar to many. The wheels of some of these are enormous blocks of stone shaped and drilled for the work. In the Indian Museum there is a photograph of an idol car from South India, in the district of Chamoondee and the province of Mysore, which deserves examination. The car appears well proportioned, and the ornamental carvings are beautiful in design, and would bear comparison with most European work.
The Hecca or Heka is a one-horse native car, resembling an Irish car; it consists of a tray for the body, fixed above the wheels on the shafts, and has a canopy roof; the driver sits on the front edge of the tray, and the passenger cross-legged behind him. The Shampony is the usual vehicle for women, which resembles the former, but it is larger; the wheels are outside the body, and it is drawn by two bullocks; the canopy roof is furnished with curtains that are drawn all round, and the driver sits on the pole in front of the body. All these native vehicles have wooden axles, which, until recently, I am told, were used without grease, from the prejudices of the people forbidding them to use animal fat. Some used olive oil or soap, but in most large towns there are now regulations obliging the natives to use some substance to avoid the noise and creaking of the dry axles. The commonest carriages in Central India are called “Tongas,” but the universal native word for a vehicle is “Gharry.”