The eloquence of the quarterly sale does not by any means resemble the flowery Demosthenic style first brought into fashion among auctioneers by the distinguished George Robins. Here are no ponds to be magnified by rhetoric into fairy lakes, no little hills to be amplified into towering crags, no shaven lawns to be described as “boundless expanses of verdure.” The auctioneer is calm, equable, concise, but firm, and the sums realised by the sale of the articles are reasonable—so reasonable, in fact, that they frequently barely cover loan and interest due to the pawnbroker. But that is his risk; and such is the power of competition in trade, that a London pawnbroker will often lend more upon an article than it will sell for. In the provinces the brethren of the three golden balls are more cautious; and in Dublin they are shamefully mean in their advances to their impoverished clients; but it is in Paris par excellence, that the great national pawning establishment, the Mont de Piété, manifests the most decided intention, by the microscopic nature of its loans, of taking care of itself.

Much noise, much dust, and an appreciable amount of confusion, must necessarily, my patient friend and companion, exist at every auction, though it must be admitted, to the credit of Messrs. Debenham and Storr, that their proceedings are always marked by as much regularity and decorum as the nature of their transactions will admit of. For auctioneering is the Bohemianism of commerce; and whether it be the purser of a man-of-war selling the effects of a deceased Jack Tar before the mainmast; an impromptu George Robins, with a very large beard, knocking down red flannel shirts, jack-boots, and gold rocking-cradles at the Ballarat diggings; my former friends, the fish salesmen, brandishing their account-books over their piscine merchandise in Billingsgate; or the courtly Robins, in propriâ personâ, eloquently bepuffing the Right Hon. the Earl of Cockletops’s broad acres, which he has been honoured with instructions to sell, in consequence of the insolvency of his Lordship, there always enters into the deed of selling something wild, something picturesque, and something exciting. It is strange, too, how soon the virtues of auctioneering are apt to degenerate into vices; and how thin a barrier exists between its legitimate commercial business and an imbroglio of roguish chaffering.

So is it on the turf. There, on the velvet verdant lawn before the Grand Stand at Epsom, sits, or stands, or reclines, my Lord the immaculate owner of Podasokus or Cynosure. Betting-book in hand, he condescends to take the odds from Mr. Jones, who may have been a journeyman carpenter ten years since, but whose bare word is good now for a hundred thousand pounds. The peer and the plebeian bet together amicably; they respect their parole agreements; they would disdain to admit the suspicion of a fraud in their transactions; they are honourable men both, though they might, I acknowledge, do something better for a livelihood than gamble on the speed of a racehorse; yet, all honourable men as they are on the turf, within two feet of them, outside the Grand Stand railing, are some hundreds of turfites depending for their existence upon exactly the same means—betting, but who cheat, and lie, and cozen, and defraud, and swagger about in an impudent boastfulness of roguery, till the most liberal-minded member of the non-cheating community must regret, almost, that the old despotic punishments are gone out of vogue, and that a few of these rogues’ ears cannot be nailed to the winning post, a few of them tied up to the railings of the Grand Stand and soundly swinged, and a few more placed in neat pillories, or commodious pairs of stocks beneath the judge’s chair. Like the honourable betters inside, and the thievish touts outside, electioneering is apt to suffer by the same disreputable companionships; and within a few stones’ throw of Garraway’s, there may be pullulating an infamous little watch-box of dishonesty, where a thick-lipped, sham Caucasian auctioneer, is endeavouring, with the aid of confederates as knavish as he, to palm off worthless lamps, lacquered tea-trays, teapots of tin sophisticated to the semblance of silver, and rubbishing dressing-cases, upon unwary country visitors, or even upon Cockneys, who, were they to live to the age of Methuselah, would never be thoroughly initiated into the ways of the town.

And now stand on one side: the auction company—it is nearly four o’clock—stream forth from Debenham’s. I spoke of the amateurs of auctions—the people who persist in attending them, but who rarely appear to become purchasers of anything. There is not much difficulty, however, in discerning who the people are who are really bidding and really buying. Here they come, bagged and bundled, and gesticulating and jabbering. They are Jews, my dear. They are the hook-nosed, ripe-lipped, bright-eyed, cork-screw ringleted, and generally oleaginous-looking children of Israel. They cluster, while in the sale-room, round the auctioneer and his clerk, who (the last) seems to have an intimate acquaintance with them all. They nod and chuckle, and utter Hebrew ejaculations, and seem, all the while that the sale is proceeding, to be in an overboiling state of tremour and nervous excitement. A sale by auction is to them as good—better—than a play; so is everything on this earth, in, about, or in the remotest connection with which, there is something that can be bought, or something that can be sold, or something that can be higgled for. If ever you attend auctions, my friend and reader, I should advise you not to bid against the Jews. If it seem to you that any one of the Caucasian Arabs has set his mind upon the acquisition of an article, let him bid for it and buy it, a’goodness name; for if you meddle with the matter, even by the augmentation of a sixpence, he will so bid and bid against you, that he will bid you, at last, out of your hat, and out of your coat, and out of your skin, and out of your bones; even as the cunning man of Pyquag, that Diedrich Knickerbocker tells of, questioned Anthony van Corlear, the trumpeter, out of his fast-trotting nag, and sent him home mounted on a vile calico mare.

There are some here, who are dissatisfied with the bargains they have made, and are squabbling in a lively manner on the foot pavement. Mark, I entreat you, among them, those dusky-faced females, mostly given to the loose and flabby order of corpulency, who are shabbily dressed, yet with a certain tendency to the wearing of lace bonnets, and faded cashmeres, and who have moreover a decided penchant for golden bangles and earrings, and rings with large stones that do not shine. You cannot make up your mind at once that they are Jewesses, because they have a conflicting facial resemblance to Gipsies. During the sale they have been reclining, not to say squatting, on the broad goods counter in shabby state, like second-hand sultanas, making bids in deep contralto voices, or mysteriously transmitting them through the intermediary of glib Jew boys with curly heads. These commercial females must be reckoned among the million and one mysteries of London. I imagine them to be the ladies dwelling in remote suburbs or genteel neighbourhoods gone to decay, who, in the columns of the “Times,” are always expressing a desire to purchase second-hand wearing apparel, lace, jewellery, and books, for the purpose of exportation to Australia, and for which they are always willing to pay ready money, even to the extent of remitting post-office orders in immediate return for parcels from the country. They, too, I think, must keep the mysterious “ladies’ wardrobe shops” known to the Abigails in aristocratic families, and which are, a little bird has told me, not altogether unknown to the patrician occupants of the noblest mansions of the realm. Thus, there seems to be a perpetual round of mutation and transmutation going on among clothes. The natural theory of reproduction here seems carried to its most elaborate condition of practice; and, bidding adieu to Debenham and Storr’s, the chaffering Jews, and the dusky ladies’ wardrobe women, my mind wanders to Rag Fair, thence to the emporium of Messrs. Moses and Son, and thence, again, to Stultze, Nugee, and Buckmaster, and I end in a maze of cogitation upon the “Sartor Resartus” of Thomas Carlyle.

Come, let us struggle into the open, and inhale the flower-laden breeze that is wafted from Covent Garden market. There, we are in King Street; and, I declare, there is my aunt Sophy’s brougham, with my identical aunt and my cousin Polly in the interior of the vehicle. They are bound, I will go bail, either to the Soho Bazaar or to the Pantheon, in Oxford Street. Jump up behind; fear no warning cry of “whip behind” addressed to the coachman by malevolent street boy, disappointed in his expectations of an eleemosynary ride. Remember, we are invisible; and as for the dignity of the thing, the starched, buckramed, and watchspringed-hooped skirts of my female relatives take up at least three and a half out of the four seats in the brougham: the remaining moiety of a place being occupied, as of right, by my aunt’s terrier, Jip, who threatens vengeance with all his teeth on any one who should venture to dispossess him.

I told you so. They have passed Charles Street, Soho, whisked by the Princess’s Theatre, and alighted beneath the portico of the Pantheon. The affable beadle (whose whiskers, gold-laced hat-band, livery buttons, and general deportment, are as superior to those the property of the beadle of the Burlington Arcade, as General Washington to General Walker) receives the ladies with a bow. He is equalled, not surpassed, in polished courtesy, by his brother beadle at the conservatory entrance in Great Marlborough Street, who bows ladies out with a dignified politeness worthy of the best days of Richelieu and Lauzun.

So into the Pantheon, turning and turning about in that Hampton-Court-like maze of stalls, laden with pretty gimcracks, toys, and papier maché trifles for the table, dolls and children’s dresses, wax flowers and Berlin and crotchet work, prints, and polkas, and women’s ware of all sorts. Up into the gallery, where you may look down upon a perfect little ant-hill of lively industry. And, if you choose, into that queer picture-gallery, where works by twentieth-rate masters have been quietly accumulating smoke and dust for some score years, and where the only conspicuous work is poor shiftless Haydon’s big nightmare picture of “Lazarus.” They have lately added, I believe, a photographic establishment to the picture-gallery of the Pantheon; but I am doubtful as to its success. It requires a considerable amount of moral courage to ascend the stairs, or to enter the picture department at all. The place seems haunted by the ghosts of bygone pictorial mediocrities. It is the lazar-house of painting—an hospital of incurables in art.