At the opening of the French Chamber on the 23rd, M. Floquet pronounced an eloquent eulogium upon Victor Hugo. He spoke of France as having lost one of her best citizens, who had enriched the treasure of national glory, had restored courage in adversity, and after having suffered everything for the Republic had inculcated concord and tolerance. He described him as a hero of humanity, who for sixty years had been the champion of the poor, the weak, the humble, the woman, and the child, and as the advocate of inviolable respect for life, and of mercy to those who had gone astray. His name ought to be proclaimed, not only in the academies of artists, poets, and philosophers, but in all legislative assemblies, on which he had sought to impress the inspirations of his all-powerful and benevolent genius.

In proposing a vote of 20,000 francs for a national funeral, M. Henri Brisson said:—'Victor Hugo is no more. While living he became immortal. Death itself, which often adds to the reputation of men, could not add to his glory. His genius dominates our century. Through him France irradiated the world. It is not letters alone that mourn, but our country and humanity—every reading and thinking man in the whole world. As regards us Frenchmen, for the last sixty-five years his voice has entered into our inner moral life and our national existence, bringing into them all that is sweetest and brightest, most touching and most elevated, in the private and public history of that long series of generations which he has charmed, consoled, kindled with pity or indignation, enlightened, and warmed with his own fire. What man of our time is not indebted to him? Our democracy laments his loss. He has sung all its grandeurs; he has wept over all its miseries. The weak and lowly cherished and venerated his name. They knew that this great man had their cause in his heart. It is a whole people that will follow him to the grave.'

Loud acclamations followed this speech, and the proposal was adopted by 415 votes to 3.

The news of the poet's death excited as much emotion in the French provinces as in the capital. The Municipal Councils of Lyons, Marseilles, and Toulon closed their sittings as a mark of grief, after having appointed delegates to represent them at the funeral. The Municipal Council of Besançon sent the following address to the Hugo family:—'The native town of Victor Hugo, through the Council, places at the feet of the departed its sentiments of profound grief. The glory of the greatest of her children will for ever irradiate her and the whole world. By his genius he was foremost among men of letters and poets. By his love of his country and of liberty he was the enemy of usurpers and despots, and the power of his heart and his zeal for the welfare of humanity place him at the head of the protectors of the oppressed, the humble, and the weak.' The Mayor of Nancy addressed the following letter to M. Lockroy:—'The town of Nancy has always felt proud of having been the birthplace of General Hugo, the father of the man of genius for whom France mourns. She claimed as a glory for the blood of Lorraine, which ran in his veins, the renown of the great poet. I am an inadequate but sincere interpreter of the general grief.' At Algiers the Municipal Council closed its sittings, and from London, Vienna, and St. Petersburg messages of sympathy were despatched. On the day following the poet's death it was computed that at least ten thousand letters and messages of condolence reached the Avenue Victor Hugo.

A desire having been expressed that Victor Hugo should be buried in the Panthéon, the feeling spread rapidly through almost all classes. In pursuance of this wish, M. Anatole de la Forge moved in the Chamber of Deputies that the Panthéon, known as the Church of St. Geneviève, should be secularized, in order that Victor Hugo's remains might be buried there. Urgency was voted for the motion by 229 against 114 votes, but the Minister of the Interior requested the House to postpone the vote upon it until the next sitting.

It may be here stated that the Panthéon was commenced in 1764 as a church, completed in 1790 as a Walhalla, was a church from 1822 to 1830, and again from 1851 until 1885. The interments in it of Mirabeau, Voltaire, Rousseau, and Marat are matters of history, as are also the expulsions which followed. Mirabeau's body was publicly expelled by the Terrorists; Marat's by the Anti-Terrorists; and Voltaire's and Rousseau's clandestinely by the Legitimists. In 1881 the last French Chamber passed a Bill secularizing it; but this did not pass through the Senate.

Two days after the discussion upon M. de la Forge's motion, the Journal Officiel published a series of documents which summarily disposed of the matter. Ministers having advised President Grévy that an opportune moment had arrived for accomplishing the wish expressed by the Chamber in 1881, and for restoring the building to its original destination as a burial-place for illustrious Frenchmen, two Presidential Decrees were made, one declaring the Panthéon to be henceforth a mausoleum for great men who should have merited the gratitude of the nation, and the other directing that the body of Victor Hugo should be laid there. In the Chamber an order of the day was proposed by the Comte de Mun, condemning the Presidential Decree as a provocation to Catholics and as an act of feebleness; but this was rejected by 388 to 83. Another motion expressing the Chamber's entire approval of the letter and spirit of the Decree was then submitted, and carried by 338 to 90. Hugo's family consented to the body being taken to the Panthéon, but insisted on its being carried in a pauper's hearse from the Arc de Triomphe, where it was to lie in state, to the national mausoleum.

At six o'clock on the morning of the 31st of May the remains of the poet were transferred to the Arc de Triomphe, where waggon-loads of flowers and memorial wreaths had been constantly arriving. All the shops, cafés, and restaurants in the Avenue Victor Hugo, and near the Triumphal Arch, had remained open all night. 'There was nothing disorderly,' wrote a correspondent, 'and the impression everything gave was one of sadness, though all day the aspect of the Place de l'Étoile had been really festive. The cenotaph was visible from the Tuileries. The coffin was covered with a silver-spangled pall, which rose from a base covered with black and violet cloth, violet being regal mourning, and Victor Hugo having attained an intellectual and moral sovereignty over France.' Early in the day the crowds of human beings in all the avenues leading to the Place de l'Étoile were very dense. As evening drew on the aspect was like that of some great fair. Medals bearing Les Châtiments, Napoléon le Petit, and other legends, were offered for sale, as well as medallions and numberless other memorials of the dead. The display of flowers was wholly unparalleled. At night a flood of electric light poured upon the Place de l'Étoile, revealing the coffin with Dalou's powerfully modelled bust at the foot, and bringing out the flowers and the names of Victor Hugo's works on shields. The effect of the Horse Guards with torches and veiled lamps was very striking. Twelve schoolboys, relieved every hour, formed a picket in front of the cenotaph, round which there was an outer circle of juvenile guards, and an inner one of Hugo's intimate friends. English literature and the fine arts were worthily represented in the votive offerings laid at the feet of the great poet. Wreaths, flowers, and memorial cards were sent in great abundance. Lord Tennyson wrote under his name the word 'Homage,' and at the top of his card, 'In Memoriam celeberrimi Poetæ.' Mr. Browning also was represented, as well as Sir Frederick Leighton, the President of the Royal Academy. Archdeacon Farrar sent the message, 'In honour of one who honoured man as man.' Sir F. Burton, director of the National Gallery, wrote, 'Honour to the memory of the great master;' and similar tributes were paid by many men of letters, poets, Royal Academicians, and others.