"Then," she said, wrinkling her brow, "I wouldn't repeat this story to Mr. Lyndon Rushcroft, father of yours truly. He would blab it all over the county. The greatest press stuff in the world. Listen to it: 'Lyndon Rushcroft, the celebrated actor, takes part in the rescue of a beautiful heiress who falls into the hands of So and So, the king of kidnappers.' That's only a starter. So we'd better let him think she just happened in. You fix it with old Jones, and I'll see that Dilly keeps his mouth shut. I fear I shall have to tell Mr. Bacon." She blushed. "I have always sworn I'd never marry any one in the profession, but—Mr. Bacon is not like other actors, Mr. Barnes. You will say so yourself when you know him better. He is more like a—a—well, you might say a poet. His soul is—but, you'll think I'm nutty if I go on about him. As soon as she awakes, I'll take her up to the room you've engaged for her, and I'll lend her some of my duds, bless her heart. What an escape she's had! Oh, my God!"
She uttered the exclamation in a voice so full of horror that Barnes was startled.
"What is it, Miss Thack—"
"Why, they might have nabbed me yesterday when I was up there in the woods! And I don't know what kind of heroism goes with a poetic nature. I'm afraid Mr. Bacon—"
He laughed. "I am sure he would have acted like a man."
"If you were to ask father, he'd say that Mr. Bacon can't act like a man to save his soul. He says he acts like a fence-post."
Shortly before the noon hour, Peter Ames halted the old automobile from Green Fancy in front of the Tavern and out stepped O'Dowd, followed by no less a personage than the pseudo Mr. Loeb. There were a number of travelling bags in the tonneau of the car.
Catching sight of Barnes, the Irishman shouted a genial greeting.
"The top of the morning to ye. You remember Mr. Loeb, don't you? Mr. Curtis's secretary."
He shook hands with Barnes. Loeb bowed stiffly and did not extend his hand.