Lyndon Rushcroft was a tall, saggy man of fifty. Despite his determined erectness, he was inclined to sag from the shoulders down. His head, huge and grey, appeared to be much too ponderous for his yielding body, and yet he carried it manfully, even theatrically. The lines in his dark, seasoned face were like furrows; his nose was large and somewhat bulbous, his mouth wide and grim. Thick, black eyebrows shaded a pair of eyes in which white was no longer apparent; it had given way to a permanent red. A two days' stubble covered his chin and cheeks. Altogether he was a singular exemplification of one's idea of the old-time actor. He was far better dressed than the two male members of his company who had come under Barnes' observation. A fashionably made cutaway coat of black, a fancy waistcoat, and trousers with a delicate stripe (sadly in need of creasing) gave him an air of distinction totally missing in his subordinates. (Afterwards Barnes was to learn that he was making daily use of his last act drawing-room costume, which included a silk hat and a pair of pearl grey gloves.) Evidently he had possessed the foresight to "skip out" in the best that the wardrobe afforded, leaving his ordinary garments for the sheriff to lay hands upon.

"A customary adventure with me," said Barnes. "I take a month's walking tour every spring, usually timing my pilgrimage so as to miss the hoi-polloi that blunders into the choice spots of the world later on and spoils them completely for me. This is my first jaunt into this part of New England. Most attractive walking, my dear fellow. Wonderful scenery, splendid air—" "Deliver me from the hoi-polloi," said Mr. Rushcroft, at his ease once more. "I may also add, deliver me from walking. I'm damned if I can see anything in it. What will you have to drink, old chap?"

He turned toward the broad aperture which served as a passageway in the wall for drinks leaving the hands of a fat bartender beyond to fall into the clutches of thirsty customers in the tap-room. There was no outstanding bar. A time-polished shelf, as old as the house itself, provided the afore-said bartender with a place on which to spread his elbows while not actively engaged in advancing mugs and bottles from more remote resting-places at his back.

"Everything comes through 'the hole in the wall,'" explained Rushcroft, wrinkling his face into a smile.

He unceremoniously turned his back on the audience of a moment before, and pounded smartly on the shelf, notwithstanding the fact that the bartender was less than a yard away and facing him expectantly. "What ho! Give ear, professor. Ye gods, what a night! Devil-brewed pandemonium—I beg pardon?"

"I was just about to ask what you will have," said Barnes, lining up beside him with Mr. Dillingford.

Mr. Rushcroft drew himself up once more. "My dear fellow, I asked you to have a—"

"But I had already invited Dillingford. You must allow me to extend the invitation—"

"Say no more, sir. I understand perfectly. A flagon of ale, Bob, for me." He leaned closer to Barnes and said, in what was supposed to be a confidential aside: "Don't tackle the whiskey. It would kill a rattlesnake."

A few minutes later he laid one hand fondly upon Barnes' shoulder and, with a graceful sweep of the other in the direction of the hall, addressed himself to Dillingford.