"I don't see how you managed to sleep through it," Barnes broke in. "You must have an unusually clear conscience, Mr. Rushcroft."

"I haven't any conscience at all, sir," roared the star. "I had an unusually full stomach, that's what was the matter with me. Damme, I ought to have known better. I take oath now, sir, never to eat again as long as I live. A man who cannot govern his beastly appetite ought to defy it, if nothing else."

"I gather from that remark that you omitted breakfast this morning."

"Breakfast, sir? In God's name, I implore you not to refer to anything so disgusting as stewed prunes and bacon at a time like this. My mind is—"

"How about luncheon? Will you join me at twelve-thirty?"

"That's quite another matter," said Mr. Rushcroft readily. "Luncheon is an aesthetic tribute to the physical intelligence of man, if you know what I mean. I shall be delighted to join you. Twelve-thirty, did you say?"

"It would give me great pleasure if your daughter would also grace the festal board."

"Ahem! My daughter and I are—er—what you might say 'on the outs' at present. I dare say I was a trifle crusty with her this morning. She was a bit inconsiderate, too, I may add. As a matter of fact she told me to go and soak my head." Mr. Rushcroft actually blushed as he said it. "I don't know where the devil she learned such language, unless she's been overhearing the disrespectful remarks that some of these confounded opera house managers make when I try to argue with them about—But never mind! She's a splendid creature, isn't she? She has it born in her to be one of the greatest actresses in—"

"I think it is too bad that she has to go about in the gown she wears, Mr. Rushcroft," said Barnes. "She's much too splendid for that. I have a proposition I'd like to make to you later on. I cannot make it, however, without consulting Miss Thackeray's feelings."

"My dear fellow!" beamed Rushcroft, seizing the other's hand. "One frequently reads in books about it coming like this, at first sight, but, damme, I never dreamed that it ever really happened. Count on me! She ought to leave the stage, the dear child. No more fitted to it than an Easter lily. Her place is in the home, the—"