"He's alive, right enough. I say, Mrs. Braddock, there's something queer about this. He can't belong in this 'ere town, else he wouldn't be sleepin' 'ere in the mud. He's plain pegged out, ma'am. Like enough 'e's some poor fool as wants to join the circus. Run away from 'ome, I daresay. We've 'ad lots of 'em follow us up lately, you know. Only this 'un looks different. Shall I call Peterson? He'll wake 'im up right enough and conwince 'im that the show business is a good thing to stay out of while he can."
"Don't call Peterson. He is a brute. Rouse him yourself, and tell him to come inside the tent. Poor boy, he's half drowned. Come, dearie," to the girl, "go into the dressing-room. You must not see—"
"He is so white and ill-looking, mother," said the girl, in pitying tones, her gaze fastened upon the face of the sleeper. The mother drew the child aside, an arm about her shoulder. Together they watched the clown's efforts to arouse the boy.
"He may be another Artful Dick, my child," ventured the mother. "Your father says the pickpockets are uncommonly numerous this spring."
"I'm sure he isn't a thief—I'm sure of it," said the girl eagerly.
She was a pretty, brown-haired creature, whose large, serious eyes seemed unnaturally dark and brilliant against the vivid coloring of her cheeks and forehead. The blacks, whites and carmines of the make-up box had beautified her for the ring but not for closer observation. One who understood the secrets of the "make-up" could have told at a glance that underneath the thick layer of powder and paint there was a soft, white skin; even the rough, careless application of harmless cosmetics could not, in any sense, deceive one as to the delicacy of her features. The mouth, red with the carmine grease, was gentle, even tremulous; her nose, though streaked with a thin, white line, was straight and pure patrician in its modeling, with fine, quivering nostrils, now gently distended by sharp exercise in the ring; her ears were small, her throat round and slim; right proudly her head rode the firm, white neck; the warm, brown hair swept down in caresses for the bare shoulders.
A long, red Shaker cloak enveloped the slim, straight body. Dainty golden slippers, protected by the ungainly ground shoes of the circus performer, peeped from beneath the hem of the robe. A small, visorless cap of red velvet fitted snugly over the crown of her head.
Now the lips were parted and the eyes narrowed by interest in the stranger who slept against their walls.
The mother was still a young woman; a pretty one, despite the careworn expression in her eyes and the tired lines in her face. She was dressed in the ordinary garments of the street, in no way suggestive of the circus. There was an unmistakable air of gentle breeding about her, patient under the strain of adverse circumstances, but strong and resolute in the power to meet them without flinching. This woman, you could see at a glance, was not born to the circus and its hardships; she came of another world. Tall and slender and proud she was, endowed with the poise of a thorough gentlewoman. Hers was a fine, brilliant face, crowned by dark hair that grew low and waved about her temples. Deep, tender brown eyes met yours steadily and with unwavering candor. There was strength and loyalty and purity in their depths. No hardness, no callousness, no guile, no rancor there: only the clear, sweet eyes of a woman whose soul is white. There was an infinite pity in them now.
The clown had shaken the boy into partial wakefulness. He was sitting up, leaning forward on his hands, his eyes blinking in the contest between sleep and amazement.