Unable to face the speculative anxiety in the eyes of his wife and child, Braddock edged off to the men's section of the tent. His furtive, nervous glances about the small apartment escaped the notice of the men who were changing their apparel. To his own disgust, a cold perspiration began to ooze out all over his body—the moisture of extreme nervousness and indecision. He took a stiff pull at his brandy flask.
His shifting gaze ultimately rested on David Jenison's neatly deposited clothing. The boy was in the ring. His "street-wear" lay on a "keester" somewhat apart from the heterogeneous pile of men's apparel on the adjacent boxes. David's "pile" was close to the outside wall of the tent. Braddock marked its location in respect to a certain side pole. He began to tremble; a weakness fell upon him; the resolution partly formed in the big tent, and which had drawn him resistlessly to this very spot, gained strength as his blinking eyes swerved their gaze from time to time in the direction of the "pile." All the while he was talking volubly and without a sentient purpose.
After fifteen minutes he sauntered from the section, cold with apprehension but absolutely determined on the action which was to follow. Leaving the tent, he strolled off toward the ticket wagon, carefully noting the position of the men who were loading the menagerie tent for the trip ahead. A cautious detour brought him back to the dressing-tent, and directly in front of the spot where David's clothing was deposited.
The trembling increased. His mouth filled with saliva. He felt of his hair. It was wet. As he stood there shivering and irresolute, the band struck up the tune that signified much to his present venture,—the tune heralding the approach of the entire company of male performers in the "ground and lofty tumbling act." It meant that the men's section would be entirely deserted for five or ten minutes.
Thomas Braddock was not a thief. He never had stolen anything in his life. He did not intend to steal now. Before he entered the dressing-tent, half an hour ago, he had justified himself unto himself: he was not going to steal David's money. His purpose was an honest one, or so his conscience had been resolutely convinced. He meant to surreptitiously borrow the idle money, that was all. Toward the end of the season, when he was vastly prosperous—as he was sure to be—he would go to David and restore the money, with interest; whereupon the grateful young man would fall upon his neck and rejoice. He needed the money. David did not need it.
What would his wife say if she came to know of this? What would Christine think of him? They were harsh questions and they troubled him. But above these questions throbbed a still greater one—the one that made his body damp with fear: was the money still in the boy's pocket, or was he carrying it with him in the ring?
Of one thing he was sure: David trusted to the integrity of his fellow performers. As for that, so did Thomas Braddock. In all his experience with circus performers he had never known one of them to steal; somewhat irrelevantly he reminded himself that circus women were notably chaste. No; David's money was quite safe in that dressing-tent.
Two full minutes passed before he could whip the conscience into submission. It was, as it afterwards turned out to be, the last stand of the thing called honor as it applied to whiskey-soaked Tom Braddock. Then he shot forward across the black shadows to the side pole he had been glaring at for a quarter of an hour. Through the lacings in the sidewall he saw that the section was empty.
When David put his hand inside the lining of his waistcoat an hour later, he turned pale and his eyes narrowed with suspicion. For an instant he permitted them to sweep the laughing, unconscious group of men surrounding him.
"Joey," he said a moment later, taking the clown aside, "my pocketbook is gone."