"I am not chicken-hearted, Mr. Corbin," she announced. "I have seen a good many dead men in my time. The sight of blood does not affect me. I will go in and see him. No! Please do not stay me."
Despite his protestations, she strode resolutely across the lot. As she passed Martin Hawk that cowering rascal stared at her, first without comprehension, then with a suddenly awakened, acute understanding.
It was she who had brought the authorities down upon him. She had made "affidavy" against him,—she had got him into this horrible mess by swearing that he stole her sheep and calves. True, he had stolen from her,—there was, no doubt about that,—but he had covered his tracks perfectly. Any one of a half-dozen men along the river might have stolen her stock,—they were stealing right and left. How then did she come to fix upon him as the one to accuse? In a flash he leaped to a startling conclusion. Barry Lapelle! The man who knew all about his thievish transactions and who for months had profited by them. Hides, wool, fresh meats from the secret lairs and slaughter pens back in the trackless wilds, all these had gone down the river on Barry's boats, products of a far-reaching system of outlawry, with Barry and his captains sharing in the proceeds.
Now he understood. Lapelle had gone back on him, had betrayed him to his future mother-in-law. The fine gentleman had no further use for him; Mrs. Gwyn had given her consent to the marriage and in return for that he had betrayed a loyal friend! And now look at the position he was in, all through Barry Lapelle. Sheep stealing was nothing to what he might have to face. Even though Moll had done the killing, he would have a devil of a time convincing a jury of the fact. More than likely, Moll would up and deny that she had anything to do with it,—and then what? It would be like the ornery slut to lie out of it and let 'em hang her own father, just to pay him back for the lickings he had given her.
All this raced through the fast-steadying brain of Martin Hawk as he watched his accuser pass him by without a look and stop irresolutely on his threshold to stare aghast at what lay beyond. It became a conviction, rather than a conjecture. Barry had set the dogs upon him! Snake! Well,—just let him get loose from these plagued hounds for half an hour or so and, by glory, they'd have something to hang him for or his name wasn't Martin Hawk.
Isaac Stain did not move from the spot where she had left him, over at the edge of the clearing. His rifle was ready, his keen eyes alert. Rachel Carter entered the hut. Many minutes passed. Then she came to the door and beckoned to him.
"It is Simon Braley," she said quietly. "He is dead. The girl killed him, Isaac. Will you ride over to my farm and have Allen come over here with a wagon? They're going to take the body up to town,—and the girl, too."
Stain stood his rifle against the wall of the hut. "I guess I won't need this," was all he said as he turned and strode away.
The man called Jasper Suggs lay in front of the tumble-down fireplace, his long body twisted grotesquely by the final spasm of pain that carried him off. The lower part of his body was covered by a filthy strip of rag carpet which some one had hastily thrown over him as Rachel Carter was on the point of entering the house. His coarse linsey shirt was soaked with blood, now dry and almost black. The harsh light from the open door struck full upon his bearded face and its staring eyes.
In a corner, at the foot of a straw pallet, ordinarily screened from the rest of the cabin by a couple of suspended quilts, stood Moll Hawk, leaning against the wall, her dark sullen eyes following the men as they moved about the room. The quilts, ruthlessly torn from their fastenings on the pole, lay scattered and trampled on the floor, sinister evidence of the struggle that had taken place between woman and beast. At the other end of the room were two similar pallets, unscreened, and beside one of these lay Jasper Suggs' rawhide boots.