Pawnee Hero Stories and Folk-Tales / With notes on the origin, customs and character of the Pawnee people

by George Bird Grinnell

“After the sacrifice was over, then came the old women to rejoice over what had been done. They would act as the warriors used to do, when coming back from a war party. They carried the mother corn. They went to the body and counted coup on it, and then went back to the village. Some of them would take the large hollow stalks of the sunflower, and put dust in them, and then blow it out, pretending to shoot, the puff of dust standing for the smoke of a shot. They would go up to the secret lodge, and standing outside of it, would tell the story of how they came to go on their pretended war party, and what they did while they were gone, and what enemies they struck—the whole long story. The people meanwhile would stand about and laugh at them as they did these things. Imitating the warriors, the old women changed their names also. One of the leading old women once took the name ‘Mud on the Meat,’ another, ‘Skunk Skin Tobacco Pouch,’ another ‘Sitting Fish Old Man,’ another ‘Old Man Stepping on the Heart.’ The old men standing about would joke with the old women, and these would joke and make fun of each other.”

The different acts of this sacrifice appear to have been typical of the deeds and necessities of warfare. Thus the feathers of the eagle used on the arrows shot into the captive represented success in war. Their use was a prayer to Ti-ra´-wa that, as these birds were fierce and successful when making an attack, so those who shot might be fierce in war and always conquerors. The burning of the body of the captive with the blazing stick, perhaps, typified the lighting of the sacred pipe, which could only be done by one who had sacrificed a scalp. The shooting arrows into the body by the males and the striking it by the women typified the killing of and counting coup on the enemy. The cutting open the belly was the first act in the sacrifice of the animal, the burnt offering.

It will be noted that this account differs in many particulars from that given by Mr. Dunbar in his papers on this people, but I think it worth recording, as being an independent relation by a very old man, who, I have no doubt, has been an eye-witness of more than one of these remarkable sacrifices.

I know of no satisfactory and detailed account of any of the sacred dances of the Pawnees. There were many of these, among them the corn dance, the buffalo dance, the wild horse dance, the deer, bear, dog dances and so on. I give below an account of the corn dance, as detailed to me by Curly Chief, who said:

“The windy month [March] was the one in which Ti-ra´-wa gave us the seed to cultivate. The first moon of April is the one during which they had a special worship about the corn. Until these ceremonies had been performed no one would clear out the patch where they intended to plant the crop. Everybody waited for this time.

“The Kit-ke-hahk´-i was the only tribe in which this special ceremony was handed down. The Chau-i and Pita-hau-erat worshiped with them. The preparations for this dance are always made by a woman. She has to think about it a long time before she can make up her mind to undertake it. In making ready for the dance, she must furnish the dried meat made from the whole of a buffalo, fat and lean, every part of it. The sack which holds the heart she dries, and fills it with all the kinds of corn—the five colors, the blue corn, which represents the blue sky, the red corn, which stands for the evening sunset, the yellow corn, which typifies the morning sunrise, the white corn, which stands for a white cloud, and the spotted corn, which represents the sky dotted with clouds. All these she puts in the bag, placing in the sack three grains of each at a time. On the special day which has been fixed for the dance, she must offer these things to Ti-ra´-wa. The people are all gathered together, the women standing on the outside of the circle behind, and the men on the inner side of the circle in front. This is a woman’s dance, and yet the men are there in front of the women. These men are the leading warriors of the tribe. They have been off on the warpath, and in time of corn have gone to the enemy. They have been successful in war, and therefore they are with the women. They stand about the circle holding their pipes in their left hands, showing that they are leaders of war parties, and each with the skin of a particular bird[13] tied on top of the head, showing that they are warriors.

[13] A Martin, Progne.

“The floor of the lodge must be hard, and swept as clean as it can be. On the left hand side as you look toward the door is a buffalo skull.

“When the day has come all the people are gathered together and are standing about the lodge. The high priest stands at the back of the lodge with the sacred bundles of the three bands before him. Then this leading woman comes forward, and presents to the high priest the dried meat and the sack of corn, and two ancient, sacred hoes, made from the shoulder-blade of a buffalo, bound to a handle by the neck ligament. She places them on the ground before the sacred bundles, the corn in the middle, and the two hoes on either side. With these things she also presents a sacred pipe, filled and ready for lighting, taken from a sacred bundle. Then she steps back.

“The old high priest must well know the ceremonies to be performed. He prays to Ti-ra´-wa and lights the sacred pipe, blowing smoke to heaven, to the earth, and to the four points of the compass. While the ceremonies are going on, the buffalo skull is taken to the sacred place in this lodge, and put in a particular position. Then the leading woman steps forward again, followed by two others. She takes the bag of corn, and the other two women take the hoes, and they stand in front of the high priest. He sings and prays. The leading woman stands in a particular position, as directed by the high priest, holding the bag of corn up to the sky in both her hands; and as he sings, she raises and lowers it in time to the music of the song.