Footsteps of Dr. Johnson (Scotland)

by George Birkbeck Norman Hill

No yachtsman as yet threaded his way through the almost countless islets of our western seas; the only sails as yet reflected on the unruffled surface of the land-locked firths were the fisher’s and the trader’s. For the sea as yet love was neither felt nor affected. There was no gladness in its dark-blue waters. Fifteen years were to pass before Byron was born—the first of our poets, it has been said, who sang the delights of sailing. A ship was still “a jail, with the chance of being drowned.”[126] No Southerner went to the Highlands to hunt, or shoot, or fish. No one sought there a purer air. It was after Johnson’s tour that an English writer urged the citizens of Edinburgh to plant trees in the neighbourhood of their town because “the increase of vegetation would purify the air, and dispel those putrid and noxious vapours which are frequently wafted from the Highlands.”[127] It was on an early day of August, in a finer season than had been known for years, that Wolfe, the hero of Quebec, complained that neither temperance nor exercise could preserve him in any tolerable health in the unfriendly climate of Loch Lomond.[128] Of all the changes which have come over our country, perhaps none was more unforeseen than the growth of this passion for the Highlands and the Hebrides. Could Johnson have learnt from some one gifted with prophetic power that there were passages in his narrative which would move the men of the coming century to scoff, it was not his references to scenery which would have roused his suspicion. I have heard a Scotchman laugh uproariously over his description of a mountain as “a considerable protuberance.” He did not know however where the passage came, and he admitted that, absurd as it was, it was not quite so ridiculous when taken with the context. “Another mountain,” said Boswell, “I called immense. ‘No,’ replied Johnson, ‘it is no more than a considerable protuberance.’”[129] It was his hatred of exaggeration and love of accurate language which provoked the correction—the same hatred and the same love which led him at college to check his comrades if they called a thing “prodigious.”[130] But to us, nursed as we have been and our fathers before us in a romantic school, the language of Johnson and of his contemporaries about the wild scenes of nature never fails to rouse our astonishment and our mirth. Were they to come back to earth, I do not know but that at our extravagancies of admiration and style, our affectations in the tawdry art of “word-painting,” and at our preference of barren mountains to the meadow-lands, and corn-fields, and woods, and orchards, and quiet streams of southern England, their strong and manly common sense might not fairly raise a still heartier laugh.

MOUNTAIN SCENERY.

The ordinary reader is apt to attribute to an insensibility to beauty in Johnson what, to a great extent, was common to most of the men of his time. It is true that for the beauties of nature, whether wild or tame, his perception was by no means quick. Nevertheless, we find his indifference to barren scenery largely shared in by men of poetic temperament. Even Gray, who looked with a poet’s eye on the crags and cliffs and torrents by which his path wound along as he went up to the Grande Chartreuse, yet, early in September, when the heather would be all in bloom, writes of crossing in Perthshire “a wide and dismal heath fit for an assembly of witches.”[131] Wherever he wandered he loved to find the traces of men. It was not desolation, but the earth as the beautiful home of man that moved him and his fellows. Mentem mortalia tangunt. He found the Apennines not so horrid as the Alps, because not only the valleys but even the mountains themselves were many of them cultivated within a little of their very tops.[132] The fifth Earl of Carlisle, a poet though not a Gray, in August, 1768, hurried faster even than the post across the Tyrol from Verona to Mannheim, “because there was nothing but rest that was worth stopping one moment for.” The sameness of the scenery was wearisome to his lordship, “large rocky mountains, covered with fir-trees; a rapid river in the valley; the road made like a shelf on the side of the hill.” He rejoiced when he took his leave of the Alps, and came upon “fields very well cultivated, valleys with rich verdure, and little woods which almost persuaded him he was in England.”[133]

LOCH NESS, NEAR FOYERS.

There is a passage in Camden’s description of Argyleshire in which we find feelings expressed which for the next two centuries were very generally entertained. “Along the shore,” he writes, “the country is more unpleasant in sight, what with rocks and what with blackish barren mountains.”[134] One hundred and fifty years after this was written, an Englishman, describing in 1740 the beautiful road which runs along the south-eastern shore of Loch Ness, calls the rugged mountains “those hideous productions of nature.”[135] He pictures to himself the terror which would come upon the Southerner who “should be brought blindfold into some narrow rocky hollow, inclosed with these horrid prospects, and there should have his bandage taken off. He would be ready to die with fear, as thinking it impossible he should ever get out to return to his native country.”[136] This account was very likely read by Johnson, for it was published in London only nineteen years before he made his tour. In the narrative of a Volunteer in the Duke of Cumberland’s army, we find the same gloom cast by mountain scenery on the spirits of Englishmen. The soldiers who were encamped near Loch Ness fell sick daily in their minds as well as in their bodies from nothing but the sadness produced by the sight of the black barren mountains covered with snow, with streams of water rolling down them. To divert their melancholy, which threatened to develop even into hypochondriacal madness, races were held. It was with great joy that the volunteer at last “turned his back upon these hideous mountains and the noisy ding of the great falls of waters.”[137]

Even the dales of Cumberland struck strangers with awe. Six months before Wordsworth was born, Gray wandered up Borrowdale to the point where now the long train of tourist-laden coaches day after day in summer turns to the right towards Honister Pass and Buttermere. “All farther access,” he wrote, “is here barred to prying mortals, only there is a little path winding over the Fells, and for some weeks in the year passable to the Dale’s-men; but the mountains know well that these innocent people will not reveal the mysteries of their ancient kingdom, the reign of Chaos and Old Night.”[138]

THE MELANCHOLY HIGHLANDS.

A few days after Johnson had arrived in Scotland, Mason, the poet, visited Keswick. Many of the woods which had charmed his friend Gray had been since cut down, and a dry season had reduced the cascade to scanty rills. “With the frightful and surprising only,” he wrote, “I cannot be pleased.”[139] He and his companion climbed to the summit of Skiddaw, where, just as if they were on the top of the Matterhorn, they found that “respiration seemed to be performed with a kind of asthmatic oppression.”[140] To John Wesley, a traveller such as few men have ever been, wild scenery was no more pleasing than to the man who wandered for the first time. Those “horrid mountains” he twice calls the fine ranges of hills in the North Riding of Yorkshire, whose waters feed the Swale and the Tees, though it was in summer-time that he was travelling.[141] To Pennant Glencroe was “the seat of melancholy.”[142] Beattie, Burns’s “sweet harmonious Beattie,” finds the same sadness in the mountains:

“The Highlands of Scotland” (he writes) “are a picturesque, but in general a melancholy country. Long tracts of mountainous desert, covered with dark heath, and often obscured by misty weather; narrow valleys, thinly inhabited and bounded by precipices resounding with the fall of torrents; a soil so rugged, and a climate so dreary, as in many parts to admit neither the amusements of pasturage nor the labours of agriculture; the mournful dashing of waves along the friths and lakes that intersect the country; the portentous noises which every change of the wind, and every increase and diminution of the waters, is apt to raise in a lonely region full of echoes, and rocks, and caverns; the grotesque and ghastly appearance of such a landscape by the light of the moon—objects like these diffuse a gloom over the fancy which may be compatible enough with occasional and social merriment, but cannot fail to tincture the thoughts of a native in the hour of silence and solitude.”[143]