getting into disrepute; in nine cases out of ten to prevent any expressions, thoughts, or situations in any work which I am writing from resembling the thoughts, expressions, and situations of other authors, for my great wish, as I told you before, is to be original.
“I have now related my history, and have revealed to you the secrets of my inmost bosom. I should certainly not have spoken so unreservedly as I have done, had I not discovered in you a kindred spirit. I have long wished for an opportunity of discoursing on the point which forms the peculiar feature of my history with a being who could understand me; and truly it was a lucky chance which brought you to these parts; you who seem to be acquainted with all things strange and singular, and who are as well acquainted with the subject of the magic touch as with all that relates to the star Jupiter, or the mysterious tree at Upsal.”
Such was the story which my host related to me in the library, amidst the darkness, occasionally broken by flashes of lightning. Both of us remained silent for some time after it was concluded.
“It is a singular story,” said I, at last, “though I confess that I was prepared for some part of it. Will you permit me to ask you a question?”
“Certainly,” said my host.
“Did you never speak in public?” said I.
“Never.”
“And when you made this speech of yours in the dining-room, commencing with Mr. Speaker, no one was present?”
“None in the world, I double-locked the door; what do you mean?”
“An idea came into my head—dear me how the rain is pouring—but, with respect to your present troubles and anxieties, would it not be wise, seeing that authorship causes you so much trouble and anxiety, to give it up altogether?”