We but glance at this great feature, that fed so fat our Utopia, leaving to imagination the return, the trade, the feasting and the fiddle when lusty legs embossed by "quills" or beads kept up the dance.
The outcome of the "Plain Hunt" was not only a wide spread plenty among the Hunters on reaching the quiet farmer folk upon the rivers, but also the diffusion of a sunshine, a tone of generous serenity that sat well on the chivalry of the chase—the bold riders of the Plain.
THE SUMMER PRAIRIES.
Beneficent nature nowhere makes her compensations more gratefully felt than in the summer season of our Utopia of the north, where the purest and most vivifying of atmospheres hues with a wealth of sunshine the great reaching spaces of verdure covered with flowers in a profusion rivaling their exquisite beauty. Green waving copses dot the level sward, and rob the sky line of its sea-like sweep. The winding rivers, signalled by their wooded banks, upon which rest the comfortable homes of the dwellers in the "hidden land" guarding their little fields close by where the ranked grain standing awaits the sickle, turning from green to gold and so unhurried resting. The shining cattle couched outside in ruminant content or cropping lazily the succulent feast spread wide before them; the horses wary of approach, just seen in compact bands upon the verge; the patriarchal windmills—at wide spaces—signalling to each other their peaceful task; the little groups of horsemen coming adown the winding road, or stopping to greet some good wife and her gossip—going abroad in a high-railed cart in quest of trade, or friendly call. And as the day wanes, the sleek cows, with considered careful walk and placid mien, wend their way homeward, bearing their heavy udders to the house-mother, who, pail in hand awaiting their approach, pauses for a moment to mark the feathered boaster at her feet, as he makes his parting vaunt of a day well spent and summons "Partlet" to her vesper perch hard by.
O'er all the scene there rests a brooding peace, bespeaking tranquil lives, repose trimmed with the hush of night, and effort healthful and cool as the freshening airs of morn.
L'ENVOI.
Longfellow—moving all hearts to pity—has painted in "Evangeline" the enforced dispersion of the French in "Acadia." Who shall tell the homesick pain, the vain regrets, the looking back of those who peopled our "Acadia"? No voice bids them away; they melt before the fervor of the time; hasten lest they be 'whelmed by the great wave of life now rolling towards them. Vain retreat, the waters are out and may not be stayed. It is fate! it is right, but the travail is sore, the face of the mother is wet with tears.
This outline sketch proposed is at an end; we have striven to be faithful to the true lines. There is no obligation to perpetuate unworthy "minutæ." Joy is immortal! sorrow dies! the petty features are absorbed in the broad ones; those capable only of conveying truth.
The Red River Settlement in the days adverted to is an idyl simple and pure: a nomadic pastoral, inwrought with Indian traits and color; our one acted poem in the great national prosaic life. When the vast country in the far future is teeming with wealth and luxury, this light rescued and defined will shine adown the fullness of the time with hues all its own. The story that it tells will be as a sweet refreshment: a dream made possible, called by those who shared in its great calm, "Britain's One Utopia—Selkirkia."