The Virgin is standing in the centre of the picture with clasped hands and in front of a stone balustrade. On either side are kneeling angels. The one on the right holds the divine Child, whom the Virgin is adoring, the other rests her hands on the shoulders of St. John Baptist, who is also adoring the Christ. In the background is the usual landscape which appears to be undoubtedly the work of Perugino, and probably also the figure of the Virgin; but the angels and children are school work.
The Adoration of the Magi. [95.]
CHRONOLOGICAL LIST OF PICTURES
INDEX
- Adoration of the Magi, The (Rouen), [43], [130];
- Adoration of the Shepherds, The (Nat. Gallery), [110], [123]
- Albani, Cardinal Giovanni Girolamo, [115]
- Albani MS., The, [115]
- Albani altar-piece, The, [29], [153], ill. [28]
- Albizzi, Luca degli', picture painted by Perugino for, [11]
- Annunciation, The (Villa Albani), [29], [153];
- Antonello da Messina, his influence on Perugino, [39]
- Apollo and Marsyas (Louvre), [62], [130]
- Arcimboldo, Guido, Archbishop of Milan, [40]
- Ashburnham, Lord, and the Albani MS., [117]
- Ascension, The (Lyons), [41], [42], [55], [96], [128];
- Assumption, The (Accademia), [64], [83], [84], [139], ill. [82];