Pietro Vannucci, called Perugino

by George C. Williamson

• Nativity, The (Villa Albani), [29], [153];
  • (Cambio), [77], [151];
  • (Montefalco), [108], [142];
  • (Perugia, Pinacoteca), [104], [147]
• Napoleon, his seizure of Italian pictures, [48];
  • admiration of Perugino's paintings, [50]
• Niccolò da Foligno, his influence on Perugino, [2], [3], [11]

• Orvieto, story of Perugino's contract to decorate the cathedral at, [27]-[29];
  • finally refused, [74]

• Panicale, Perugino's work at and connection with, [93], [99]
• Perugia, story of Perugino's dealings with the Priori of, [20], [23];
  • altar-piece painted for San Pietro, [40], [41], [55], [128], ill. [52];
  • the pillage of Perugino's pictures from, [47]-[57];
  • altar-piece painted for the magistrates' chapel, [33], [40], [47], [49], [152];
  • altar-piece painted for St. Agostino, [56], [70], [87], [88], [106];
  • decoration of the Cambio, [74]-[82], [149]-[151], ill. [76], [78];
  • double altar-piece for San Francesco al Monte, [87];
  • the Schiavone altar-piece, [99], [100];
  • figures in San Severo, [107], ill. [106];
  • other pictures at, [144]-[151]
• Perugino, his birth, [1];
  • early influences, [2]-[9];
  • journey to Florence, [9];
  • earliest works, [10], [11];
  • figure of "San Sebastian" at Cerqueto, [11];
  • "Christ giving the keys to St. Peter," [13], [16], [18];
  • influence of Umbrian scenery on his work, [16];
  • his other frescoes in the Sistine Chapel destroyed, [18];
  • early pictures, [19]-[32];
  • the Vatican "Madonna," [23];
  • the La Calza "Crucifixion," [24], [26];
  • commissioned to decorate Orvieto Cathedral, [27], [74];
  • work for Cardinal Guiliano della Rovere, [27]-[29];
  • the Villa Albani altar-piece, [29], [30];
  • his technique, pigments, etc., [33]-[38];
  • the Cremona altar-piece, [39];
  • the "Ascension" altar-piece, [40]-[44];
  • the "Entombment," [44]-[46];
  • story of the pillage of his pictures from Perugia, [47]-[57];
  • the "Sposalizio" attributed to Lo Spagna, [58]-[61];
  • the "Apollo and Marsyas," [62];
  • the "St. Bernard," [63];
  • the "Family of St. Anne," [63]-[65];
  • the "Crucifixion" at S. M. Maddalena dei Pazzi, [65]-[67];
  • the Certosa altar-piece, [67]-[69];
  • pictures at Fano, etc., [69]-[71];
  • two "Madonnas" at Perugia, [71], [72];
  • the St. Jerome "Crucifixion," [72], [73];
  • residence in Florence, [74];
  • decoration of the Cambio, [74]-[82];
  • portrait of himself, [80], [85], ill. [78];
  • Raphael his pupil, [81], [82];
  • the Vallombrosa altar-piece, [83], [84];
  • two portraits, [84], [85];
  • civic duties in Perugia, [87];
  • the double altar-piece for San Francesco al Monte, [87]-[89];
  • connection with Michel Angelo, [90];
  • the fresco at Città della Pieve, [90], [91];
  • commission from Isabella d'Este, [93];
  • the "Assumption" (SS. Annunziata), [95];
  • repetition of figures in his pictures, [68], [96];
  • retirement to Perugia, [97];
  • the Schiavone altar-piece, [99], [100];
  • frescoes in the Vatican, [101];
  • works at Assisi, [102];
  • Siena, [103];
  • Bettona, [103], [104];
  • Città della Pieve, [104], [105];
  • Spello, [106];
  • completion of Raphael's fresco in San Severo, Perugia, [107];
  • works at Montefalco, and Trevi, [108];
  • later pictures, [109], [110];
  • death, [110];
  • his burial-place unknown, [111];
  • his wife, [112];
  • his scholars, [112];
  • characteristics, [112]-[114]
• Piero della Francesca, his influence on Perugino, [3], [6], [26], [30]
• Pietà (Accademia), [9], [24], [26], [140], ill. [26]
• Pinturicchio, the "Baptism" in the Sistine Chapel by, [16], [18];
  • work in Orvieto Cathedral, [29];
  • the "Apollo and Marsyas," possibly by, [63]
• Phillips, Mr. Claud, [63]
• Portraits by Perugino, [40], [44], [80], [84], [85], [113]
• Prophets and Sibyls (Cambio), [77], [82], [83], [151]

• Raffaelino del Garbo, [25]
• Raphael, his "Sposalizio," [59], [60], [81];
  • his "Crucifixion," [67];
  • Perugino's pupil, [81], [82];
  • his decorations in the Camera dell' Incendio, [100];
  • fresco in San Severo, Perugia, added to by Perugino, [107]
• "Raphael of Morris Moore," The, [62], [130]
• Repetition of figures in Perugino's pictures, [68], [96]
• Resurrection, The (Rouen), [43], [130];
  • (Vatican), [79], [85], [86], [152], ill. [86]
• Roederer, Baron, [51], [53]
• Rossi, Prof. Adam, [58], [81]
• Rovere, Cardinal Guiliano della, Perugino's work for, [27], [28], [29]

• St. Agostino altar-piece, The, [56], [70], [87], [88], [106], ill. [106]
• St. Anne, Family of, [63], [64], [128], ill. Frontis.
• St. Anthony (Città della Pieve), [104], [135];
  • (Bettona), [103], [136]
• San Bernardino of Siena, [71], [72]
• St. Bernard, Vision of (Munich), [63], [132], ill. [62];
  • study for, [63]
• St. Francis of Assisi, [72], ill. [70]
• Santi, Giovanni, lines referring, to Perugino, [12];
  • story of his taking Raphael to Perugino, [81]
• San Sebastian, Comparison of Perugino's various representations of, [118]-[120]
• San Sebastian (Cerqueto), [11], [118], [135], ill. [10];
  • (Panicale), [93], [99], [118], [143];
  • (Perugia), [118], [144], ill. [118];
  • with other saints (Perugia), [106], [149];
  • (Albani MS.), [117], [118]
• Schiavone, Giovanni, altar-piece painted for, [99], [100], [123], ill. [100]
• Signorelli, Luca, his influence on Perugino, [8], [9], [11], [25];
  • his decorations in the cathedral at Orvieto, [29]
• Sixtus IV., Pope, pictures by Perugino executed for, [10], [12]
• Space composition, Mr. Berenson on, [13]
• Spello, Perugino's pictures at, [106]
• Sposalizio, The, attributed to Lo Spagna, [49], [58]-[61];
  • compared with pictures by Raphael and Lorenzo Costa, [60], [61]
• St. John Baptist and Saints (Perugia, Pinacoteca), [106], [147]

• Tempera painting, [33]-[36]
• Thompson, Mr. Henry Yates, [117], [118]
• Tiberio d' Assisi, [108], [109]
• Tinet, Napoleon's commissioner, [48], [49]
• Tofanelli, [51], [52]
• Transfiguration, The (Cambio), [77], [78], [150];
  • (Perugia, Pinacoteca), [78], [109], [146];
  • (Sta. Maria Nuova), [79], [137]
• Triumph of Religion, The (Cambio), [78]

• Ultramarine, story of Perugino's use of, [37]
• Umbria, The scenery of, [15], [16]

• Vallombrosa altar-piece, The, [64], [83], [84]
• Vannucci, John Battista, [111]
• Vannucci, Pietro, see Perugino
• Verrocchio, his influence on Perugino doubtful, [9]
• Virgin in Glory, The (Bologna), [63], [136], ill. [64]
• Vite, Timoteo, [61], [62], [81]

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