A fragment of a Crucifixion resembling No. 57 in the Accademia. The upper part was destroyed in 1700 during the demolition of the old choir, the lower part was restored by Castellani in 1830.
It is on the Portiuncula on the outside of the east wall.
ASCOLI.
Eastlake states that in a private collection at Ascoli is a "Virgin and Child surrounded by saints," brought from Mentone, near Città di Castello, the upper part of which is in gold with reliefs of angels. If this is so it is quite different to anything else of Perugino's work.
BETTONA, CHURCH OF THE MINORITES.
A votive portrait, commissioned by a Perugian captain called Boto da Maraglia, who was taken prisoner by the French, but eventually released. 6·3 × 4·6 = 2 ft. 1 in. × 1 ft. 6 in.
It is in distemper on canvas, and Boto, in full armour, is kneeling and looking up to St. Anthony, who holds in one hand a book, and in the other the fire.
The inscription is as follows: BOTO DE MARAGLIA DE PEROGA QVANDO FO PREGIONE DE FRANCIOSE CHE FO ADI XI DE FEBRAIO MDXII PETRVS PINXIT DE CASTRO PLEBIS.
In the same church is a Madonna between St. Manno and St. Jerome, with male and female patrons under her cloak, and with angels above. 6·3 × 4·6 = 2 ft. 1 in. × 1 ft. 6 in.