The person who had originated and who conducted Mrs. Deming's boarding house—famous for its fare—was, in fact, not Mrs. Deming at all. That good lady would pretty certainly have scored a failure if she had tried actively to manage such an establishment. She had never in her life known necessity for work of any kind, or acquired the least skill in its doing. She had been bred in luxury and had never known any other way of living until a few months before Guilford Duncan went to take his meals at what was known as her "table."
She had lived in a spacious and sumptuously furnished suburban house near an eastern city, until two years or so before the time of this story.
When Barbara Verne, her only sister's child, was born and orphaned within a single day, and under peculiarly saddening circumstances, the aunt had adopted her quite as a matter of course.
No sooner had Barbara ceased to be an infant in arms than she began to manifest strong and peculiar traits of character. Even as a little child she was wondered at as "so queer—so old fashioned, don't you know?"
She had a healthy child's love for her dolls, and though the persons around her had not enough clearness of vision to see that she was fruitfully and creatively imaginative in her peculiar way, her dolls' nursery was full of wonderful stories, known only to herself and the dolls. Every doll there had a personality, a history, and a character of its own. Barbara was the intimate of all of them—the confidential friend and companion, who listened to their imagined recitals of griefs and joys with a sympathetic soul, counseled them in a prematurely old way, chided them gently but firmly for their mistakes, commended good conduct whenever she discovered it in them, and almost mercilessly rebuked such shortcomings as common sense should have spared them. For common sense was Barbara's dominant characteristic.
She never told their stories to anybody. That, she felt, would have been to betray their confidence shamefully. It was only by eavesdropping on the part of her nursery maid, and by casual overhearings of her talk with her dolls that their life stories became known to anybody except herself.
And Barbara quickly put an end to the eavesdropping when she discovered it. She had a French nursery governess, Mathilde, whose double function it was to look after the child and to teach her French by talking to her only in that tongue. The maid, in fact, made the child teach her English, by talking with her chiefly in that language.
That, however, was an offense the child did not consider. She did not greatly value instruction in French—"English is so much better," she used to say to her aunt. "And besides, nobody ever talks in French. So why should we bother about it? Of course, I like to have La Fontaine's Fables read to me, and I like to read them to my dolls, because the dolls always enjoy them."
"How do you know that, Barbara?"
"Why, because they never interrupt. When I tell them 'make up' stories of my own, they often interrupt me. They 'want to know,' and sometimes I can't tell them. But with La Fontaine's stories it is never so. Still I don't think French is of much consequence."