"Bully for you, Tommy! I niver knew a blow better delivered in me loife!" And that ended the dispute.

One night, after taps, a fearful hubbub arose in the Irish quarter of the camp, and running to the place, the captain, a corporal, and I managed to separate the combatants; but as Jack Delaney had a great butcher knife in his hands with which it appeared he had already severely cut another Irishman, Dan Gorman by name, we thought it best to bind him with a prolonge. He submitted readily, lying down on the ground to be tied. While we were drawing the rope around him, Gorman, a giant in size and strength, leaned over us and dashed a brick with all his force into the prostrate man's face. Had it struck his skull it must have killed him instantly, as indeed we supposed for a time that it had.

"What do you mean by that, sir?" asked the captain, seizing Gorman by the collar.

Pointing to a fearful gash in his own neck, the man replied,—

"Don't ye see I'm a dead man, captain? An' sure an' do ye think I'm goin' to hell widout me pardner?"

The tone of voice in which the question was asked clearly indicated that in his view nothing could possibly be more utterly preposterous than such a supposition.

Charley Lear belonged to this party, though he was not a Celt, but an Englishman. Charley was a tailor by trade and a desperado in practice. He had kept a bar in Vicksburg, had dug gold in California, and had "roughed it" in various other parts of the world. His was a scarred breast, showing seven knife thrusts and the marks of two bullets, one of which had passed entirely through him. And yet he was in perfect health and strength. He was a man of considerable intelligence and fair education, whose association with ruffians was altogether a matter of choice. He was in no sense a criminal, I think, and while I knew him, at least, was perfectly peaceful. But he liked rough company and sought it diligently, taking the consequences when they came. He professed great regard and even affection for me, because I had done him a rather important service once.

Finding it impossible to govern these men without subjecting the rest of the company to a much severer discipline than was otherwise necessary or desirable, we secured the transfer of our ruffians to another command in the fall of 1862, and I saw no more of any of them until after the close of the war. I went into a tailor's shop in Memphis one day, during the winter of 1865-66, to order a suit of clothing. After selecting the goods I was asked to step up-stairs to be measured. While the cutter was using his tape upon me, one of the journeymen on the great bench at the end of the room suddenly dropped his work, and, bounding forward, literally clasped me in his arms, giving me a hug which a grizzly bear might be proud of. It was Charley Lear, of course, and I had the utmost difficulty in refusing his offer to pay for the goods and make my clothes himself without charge.

Our assortment of queer people was a varied one, and among the rest there were two ex-circus actors, Jack Hawkins and Colonel Denton, to wit. Hawkins was an inoffensive and even a timid fellow, whose delight it was to sing bold robber songs in the metallic voice peculiar to vocalists of the circus. There was something inexpressibly ludicrous in the contrast between the bloody-mindedness of his songs and the gentle shyness and timidity of the man who sang them. Everybody domineered over him, and he was especially oppressed in the presence of our other ex-clown, whose assumption of superior wisdom and experience often overpowered stronger men than poor John Hawkins ever was. Denton was one of those men who are sure, in one way or another, to become either "colonel" or "judge." He was sixty-five years old when I first knew him, and had been "the colonel" longer than anybody could remember. He was of good parentage, and until he ran away with a circus at the age of eleven had lived among genteel people. His appearance and manner were imposing always, and never more so than when he was drunk. He buttoned his coat with the air of a man who is about to ride over broad ancestral acres, and ate his dinner, whatever it might consist of, with all the dignity of a host who does his guests great honor in entertaining them. He was an epicure in his tastes, of course, and delighted to describe peculiarly well-prepared dinners which he said he had eaten in company with especially distinguished gentlemen. He was an expert, too, he claimed, in the preparation of salads and the other arts of a like nature in which fine gentlemen like to excel even professional cooks. When rations happened to be more than ordinarily limited in quantity or worse than usual in quality, Denton was sure to visit various messes while they were at dinner, and regale them with a highly wrought description of an imaginary feast from which he would profess to have risen ten minutes before.

"You ought to have dined with me to-day," he would say. "I had a deviled leg of turkey, and some beautiful broiled oysters with Spanish olives. I never eat broiled oysters without olives. You try it sometime, and you'll never regret it. Then I had a stuffed wild goose's liver. Did you ever eat one? Well, you don't know what a real titbit is, then. Not stuffed in the ordinary way, but stuffed scientifically and cooked in a way you never saw it done before." And thus he would go on, naming impossible viands and describing preposterous processes of cookery, until "cooked in a way you never saw it done before" became a proverb in the camp. The old sinner would do all this on an empty stomach too, and I sometimes fancied he found in the delights of his imaginary banquets some compensation for the short rations and hard fare of his actual experience.