She called him “Cousin Arthur,” of course. Had not a distant relative of his once married a still more distant kinswoman of her own? It would have been deemed in Virginia a distinct discourtesy in her not to call him “Cousin Arthur.”

IX
DOROTHY’S CASE

AFTER a few weeks of work Arthur Brent’s laboratory was ready for use, with all its apparatus in place and all its reserve supply of chemicals safely bestowed in a small, log built hut standing apart.

His books too had been brought to the house and unpacked. He provided shelf room for them in the various apartments, in the broad hallway, and even upon the stairs. There were a multitude of volumes—largely the accumulations of years of study and travel on his own and his father’s part. The collection included all that was best in scientific literature, and much that was best in history, in philosophy and in belles lettres. To this latter department he had ordered large additions made when sending for his books—this with an eye to Dorothy’s education.

There was already a library of some importance at Wyanoke, the result of irregular buying during two hundred years past. Swift was there in time stained vellum. The poets, from Dryden and Pope to the last quarter of the eighteenth century were well represented, and there were original editions of “Childe Harold,” and “English Bards and Scotch Reviewers” on the shelves. Scott was present in leathern cuirass of binding—both in his novels and in his poems. But there was not a line of Coleridge or Wordsworth or Shelley or Rogers or Campbell or John Keats, not a suggestion of Matthew Arnold. Tennyson, Browning and their fellows were completely absent, though Bailey’s “Festus” was there to represent modern poetry.

The latest novels in the list, apart from Scott, were “Evelina,” “The Children of The Abbey,” “Thaddeus of Warsaw,” “Scottish Chiefs” and some others of their kind. But all the abominations of Smollett, all the grossness of Fielding, all the ribaldry of Richardson, and all the sentimental indecency of Laurence Sterne were present in full force—on top shelves, out of consideration for maidenly modesty.

In history there were Josephus and Rollin, and scarcely anything else. Hume was excluded because of his scepticism, and Gibbon had been passed over as a monster of unbelief.

Arthur found that Dorothy had browsed somewhat in this old library, particularly among the British Essayists and in some old volumes of Dramas. Her purity had revolted at Fielding, Smollett and their kind, and she had found the sentimentalities of Miss Burney insipid. But she knew her “Don Quixote” almost by heart, and “Gil Blas” even more minutely. She had read much of Montaigne and something of Rousseau in the original also, and the Latin classics were her familiars. For her father had taught her from infancy, French and Latin, not after the manner of the schools, as grammatical gymnastics, but with an eye single to the easy and intelligent reading of the rich literatures that those languages offer to the initiated. The girl knew scarcely a single rule of Latin grammar—in text book terms at least—but she read her Virgil and Horace almost as easily as she did her Bible.

It was with definite reference to the deficiencies of this and other old plantation libraries, that Arthur Brent ordered books. He selected Dorothy’s own sitting room—opening off her chamber—as the one in which to bestow the treasures of modern literature—Tennyson, Dickens, Thackeray, Bulwer, Coleridge, Keats, Rogers, Campbell, Shelley and their later successors—Longfellow, Bryant, Willis, Halleck, and above all Irving, Paulding and Hawthorne.

In arranging these treasures in Dorothy’s outer room, Arthur resorted to a little trick or two. He would pick up a volume with ostensible purpose of placing it upon a shelf, but would turn to a favorite passage and read a little aloud. Then, suddenly stopping, he would say:—