“Amen!” shouted three or four of the others in enthusiastic unison. Dorothy was not there to hear. She had already ridden away on her mission to direct matters at the Silver Spring.
“It’s queer,” thought the young master of the plantation, “how devotedly loyal all the negroes are to Dorothy. Nobody—not even Williams the overseer,—was ever so exacting as she is in requiring the most rigid performance of duty. Ever since she punished Ben for bringing her an imperfectly groomed horse, that chronically lazy fellow has taken the trouble every night to put her mare’s mane and tail into some sort of equine crimping apparatus, so that they may flow gracefully in the morning. And he does it for affection, too, for when she told him, one night, that he needn’t do it, as we were late in returning from Pocahontas, I remember the fervor with which he responded: ‘Oh, yes, Miss Dorothy, I’ll do de mar’ up in watered silk style tonight cause yar’s a gwine to Branton fer a dinin’ day tomorrer, an’ Ben ain’t a gwine fer to let his little Missus ride in anything but de bes’ o’ style.’ The fact is,” continued Arthur, reflecting, “these people understand Dorothy. They know that she is always kindly, always compassionate, always sympathetic in her dealings with them. But they realize that she is also always just. She never grows angry. She never scolds. She punishes a fault severely in her queer way, but after it is punished she never refers to it again. She never ‘throws up things,’ to them. In a word, Dorothy is just, and after all it is justice that human beings most want, and it is the one thing of which they get least in this world. What a girl Dorothy is, anyhow!”
XIII
THE “SONG BALLADS” OF DICK
IT was “endurin of de feveh”—to use his own phrase by which he meant during the fever—that Dick’s genius revealed itself. Dick had long ago achieved the coveted dignity of being his master’s “pussonal servant.” It was Dorothy who appointed him to that position and it was mainly Dorothy who directed his service and saw to it that he did not neglect it.
For many of the services of a valet, Arthur had no use whatever. It was his habit, as he had long ago said, to “tie his own shoe strings.” He refused from the first very many of Dick’s proffered attentions. But he liked to have his boots thoroughly polished and his clothing well brushed. These things he allowed Dick to attend to. For the rest he made small use of him except to send him on errands.
The position suited Dick’s temperament and ambition thoroughly and he had no mind to let the outbreak of fever on the plantation rob him of it. When Arthur established himself at the quarantine camp, taking for his own a particularly small brush shelter, he presently found Dick in attendance, and seriously endeavoring to make himself useful. For the first time Arthur felt that the boy’s services were really of value to him. He was intelligent, quick-witted, and unusually accurate in the execution of orders. He could deliver a message precisely as it was given to him, and his “creative imagination” was kept well in hand when reporting to his master and when delivering his messages to others—particularly to those in attendance upon the sick. Arthur was busy night and day. He saw every patient frequently, and often he felt it necessary to remain all night by a bedside. In the early morning, before it was time for the field hands to go to their work in the crops, he inspected them at their new quarters, and each day, too, he rode over all the fields in which crop work was going on.
In all his goings Dick was beside him, except when sent elsewhere with messages. In the camp he kept his master supplied with fuel and cooked his simple meals for him, at whatever hours of the night or day the master found time to give attention to his personal wants.
In the meanwhile—after the worst of the epidemic was over—Dick made himself useful as an entertainer of the camp. Dick had developed capacities as a poet, and after the manner of Homer and other great masters of the poetic art, it was his custom to chant his verses to rudely fashioned melodies of his own manufacture. Unfortunately Dorothy, who took down Dick’s “Song Ballads,” as he called them, and preserved their text in enduring form, was wholly ignorant of music, as we know, and so the melodies of Dick are lost to us, as the melodies of Homer are. But in the one case as in the other, some at least of the poems remain to us.
Like all great poets, Dick was accustomed to find his inspiration in the life about him. Thus the fever outbreak itself seems to have suggested the following:
Nigga got de fevah,
Nigga he most daid;
Long come de Mahstah,
Mahstah shake he haid.