The Swarm of Gadflies

At that time Tilton was "swimming on a sea of glory." His popularity was at its height, with an apparently assured prospect of lasting fame to follow. His work so far had necessarily been of an ephemeral sort—dealing with passing subjects in a passing way—but he had all the while been planning work of a more permanent character, and diligently preparing himself for its doing. One day, in more confidential mood than usual, he spoke to me of this and briefly outlined a part at least of what he had planned to do. But there was a note of the past tense in what he said, as if the hope and purpose he had cherished were passing away. It was the first intimation I had of the fact that those troubles were upon him which later made an end of his career and sent him into a saddened exile which endured till the end of his ruined life.

At that time I knew nothing and he told me nothing of the nature of his great trouble, and I regarded his despondency as nothing more than weariness over the petty annoyances inflicted upon him by some who were jealous of his success and popularity.

With some of these things I was familiar. His growing liberality of thought in religious matters, and the absence of asceticism from his life, had brought a swarm of gadflies round his head, whose stings annoyed him, even if they inflicted no serious hurt. He was constantly quizzed and criticised, orally, by personal letter, and in print, as to his beliefs, his conduct, his tastes, his habits, and even his employment of terms, quite as if he had been a woman or a clergyman responsible to his critics and subject to their censure. He maintained an appearance of good temper under all this carping—most of which was clearly inspired by "envy, malice, and all uncharitableness"—but, as I had reason to know, it stung him sorely. He said to me one day:

"It isn't the criticism that annoys me so much as the fact that I am supposed to be answerable in such small ways to the bellowings of Tray, Blanche, and Sweetheart. I seem not to be regarded as a free man, as other men are."

I reminded him that something of that kind was the penalty that genius and popularity were usually required to pay for their privileges. I illustrated my thought by adding:

"If Byron had not waked up one morning and found himself famous, he would never have been hounded out of his native land by what Macaulay calls British morality in one of its periodic spasms of virtue, and if Poe had never written 'The Raven,' 'The Bells,' and 'Annabel Lee,' nobody would ever have bothered to inquire about his drinking habits."

I strongly urged him to ignore the criticism which was only encouraged by his replies to it. But in that he was not amenable to counsel, partly because his over-sensitive nature was more severely stung by such criticism than that of a better balanced man would have been, but still more, I think, because his passion for epigrammatic reply could not resist the temptation of opportunity which these things presented. Often his replies were effective for the moment, by reason of their wit or their sparkling audacity, but incidentally they enlarged the circle of persons offended.

Thus on one occasion, when he was challenged in print by an adversary, to say that he did not drink wine, he replied in print:

"Mr. Tilton does drink wine upon sacramental and other proper occasions."