A Whimsical View of Plagiary

I do not think this sort of thing is peculiar to Stockton's work. I find traces of it in the writings of others, especially of those humorous writers who have the gift of inventing amusingly whimsical conceits. It seems easily possible, for example, to find in "The Bab Ballads" the essential whimsicalities which afterward made the fortunes of Mr. W. S. Gilbert's most famous comic operas.

Stockton's whimsical logic was brought to bear upon everything; so much so that I have often wondered how he would have regarded a "hold up" of his person for the sake of his purse if such a thing had happened to him.

One day a man submitted a manuscript to me for sale. It was an article on Alice and Phœbe Cary. The subject was interesting and the article was pleasingly brief, so that I thought it promising. When I began to read it, the sentences seemed strangely familiar. As I read on I recognized the thing as an editorial I had myself written for the Evening Post on the day of Phœbe Cary's funeral. To verify my impression I went at once to the office of the Evening Post, compared the manuscript with the printed article, and found it to be a verbatim copy.

I was perhaps a little severe in my judgments of such things in those days, and when the plagiarist came back to learn the fate of his manuscript my language was of a kind that might have been regarded as severe. After the fellow had left, breathing threats of dire legal things that he meant to do to me for keeping his manuscript without paying for it, Stockton remonstrated with me for having lost my temper.

"It seems to me," he said, "that you do not sufficiently consider the circumstances of the case. That man has his living to make as a writer, and nature has denied him the ability to create literature that he can sell. What is more reasonable, then, than that he should select marketable things that other people have written and sell them? His creative ability failing him, what can he do but use his critical ability in its stead? If he is not equal to the task of producing salable stuff, he at least knows such stuff when he sees it, and in the utilization of that knowledge he finds a means of earning an honest living.

"Besides in selecting an article of yours to 'convey,' he has paid you a distinct compliment. He might have taken one of mine instead, but that his critical judgment saw the superiority of yours. You should recognize the tribute he has paid you as a writer.

"Still again what harm would have been done if he had succeeded in selling the article? It had completely served its purpose as an editorial in the Evening Post, why should it not serve a larger purpose and entertain a greater company of readers?

"Finally I am impressed with the illustration the case affords of the vagaries of chance as a factor in human happenings. There are thousands of editors in this country to whom that man might have offered the article. You were the only one of them who could by any possibility have recognized it as a plagiarism. According to the doctrine of chances he was perfectly safe in offering the manuscript for sale. The chances were thousands to one against its recognition. It was his ill-luck to encounter the one evil chance in the thousands. The moral of that is that it is unsafe to gamble. Still, now that he knows the one editor who can recognize it, he will no doubt make another copy of the article and sell it in safety to some one else."

This prediction was fulfilled. The article appeared not long afterward as a contribution to another periodical. In the meanwhile Stockton's whimsical view of the matter had so amused me as to smooth my temper, and I did not think it necessary to expose the petty theft.