"I am your protector and friend," he added. "Henceforth you shall be counted as my son, for you are destined to become one of the great masters of art."
This was overwhelming good-fortune. Lorenzo de' Medici was a powerful nobleman, known far and wide to be a most expert judge of works of art. His approval was in itself fame and fortune.
Filled with joy, the lad went straightway to his father's house, which he had been forbidden to enter, and, forcing his way into Ludovico's presence, told him what had happened. The father refused to believe the good news until Michael led him into Lorenzo's presence.
When the prince, by way of emphasizing his goodwill, offered Ludovico any post he might choose, he asked for a very modest place indeed, saying, with bitter contempt, that it was good enough "for the father of a mason."
THE WICKEDEST MAN IN THE WORLD.
Precisely at what time the faithful and affectionate subjects of his Majesty Ivan IV., Czar of all the Russias, conferred upon him his pet name, "The Terrible," history neglects to inform us, but we are left in no uncertainty as to the entire appropriateness of the title, which is now inseparably linked with his baptismal name. He inherited the throne at the age of three years, and his early education was carefully attended to by his faithful guardians, who snubbed and scared him, in the hope that they might so far weaken his intellect as to secure a permanent control over him, and through him govern Russia as they pleased. They made a footstool of him sometimes, and a football at others, and, under their system of training, the development of those qualities of mind and heart for which he is celebrated was remarkably rapid. He was always Ivan the Terrified, and he became Ivan the Terrible before he was old enough to have played a reasonably good game of marbles, or to have become tolerably expert in the art of mumbling the peg. Indeed, it seems that the young grand-prince was wholly insensible to the joys of these and the other excellent sports in which ordinary youths delight, and being of an ingenious turn of mind, he invented others better suited to his tastes and character. One of these pastimes—perhaps the first and simplest one devised by the youthful genius—consisted in the dropping of cats, dogs, and other domestic animals from the top of the palace to the pavement below, and sentimental historians have construed these interesting experiments in the law of gravitation into acts of wanton cruelty. Another of the young czar's amusements was to turn half-famished pet bears loose upon passing pedestrians, and it is the part of charity to suppose that his purpose in this was to study the psychological and physiognomical phenomena of fear. A less profitable way be had of accomplishing the same thing was by throwing, or, as youthful Americans phrase it, "shying," stones at passers-by, concealing himself meanwhile behind a screen. He cultivated his skill in horsemanship by riding over elderly people, cripples, and children. In short, his boyish sports were all of an original and highly interesting sort.
Up to the age of thirteen Ivan was under the tutelage of a council, of which the Prince Shnisky was chief, and it was this prince who domineered over the boy and made a footstool and a football of his body. At that age Ivan asserted his independence in a very positive and emphatic way, which even the Prince Shnisky could not misapprehend. The young czar was out hunting, accompanied by Shnisky and other princes and boyards, among whom was Prince Gluisky, a rival of Shnisky's, who was prejudiced against that excellent gentleman. At his suggestion, Ivan addressed his guardian Shnisky in language which the latter deemed insolent. Shnisky replied angrily, and Ivan requested his dogs to remonstrate with the prince, which they did by tearing him limb from limb.
Having thus silenced the dictation of Shnisky, the young prince became the ward of the no less excellent Gluisky, and was carefully taught that the only way in which he could effectually assert authority was by punishment. It was made clear to his budding intellect, too, that the shortest, simplest, and altogether the best way to get rid of disagreeable persons was to put them to death, and throughout his life Ivan never forgot this lesson for a single moment. Power, he was told, was worthless unless it was used, and the only way in which it could be really used was by oppression. For three years no pains were spared to teach him this system of ethics and politics, and the young prince, in his anxiety to perfect himself in the art of governing, diligently practised all these precepts.
When he was seventeen years of age he was formally crowned czar. The citizens, ignorant of the truths of political economy and the principles of governmental science underlying the young Czar's system, became alarmed, and fired the city one night. When Ivan awoke, he was terrified, being of an abnormally nervous temperament, and the apparition of a warning monk, together with the influence of Anastasia, the young czarina, led the czar to abandon the simple and straightforward methods of government in which he had been bred, and for thirteen years, under the dictation of Alexis Adascheff and the monk Sylvester, Ivan devoted himself to the commonplace employments of developing Russia politically and socially. He dismissed his ministers and put others in their places. He reorganized the army; revised the code, in the interest of abstract justice; equalized assessments; subdued the Tartars; established forts for the protection of the frontiers; laid the foundation for the future greatness of his empire; began the work which was completed so grandly under Peter the Great; introduced printing into Russia; added greatly to her possessions; checked the abuses of the clergy; brought artists from western Europe, and in a hundred ways made himself famous by doing those things which historians love to chronicle.