81. Wi-lóoh-tah-eeh-tcháh-ta-máh-nee, the Red Thing that touches in Marching; a young girl; and the daughter of Black Rock (No. 80), by her side—her dress of deer-skin, and ornamented with brass buttons and beads.
82. Toh-kí-e-to, the Stone with Horns. Chief of the Yank-ton band, and principal orator of the nation; his body curiously tattooed.
83. Mah-tó-rah-rísh-nee-eéh-ée-rah, the Grisly Bear that runs without Regard; a brave of the Onc-pah-pa band.
84. Mah-tó-che-ga, the Little Bear; a distinguished brave.
85. Shón-ka, the Dog; Chief of the Bad Arrow Points band.
86. Táh-téck-a-da-háir, the Steep Wind; a Brave of the Ca-za-zhee-ta (or Bad Arrow Points) band.
These three distinguished men were all killed in a private quarrel (while I was in the country), occasioned by my painting only one half of the face of the first (No. 84); ridicule followed, and resort to fire-arms, in which that side of the face which I had left out was blown off in a few moments after I had finished the portrait; and sudden and violent revenge for the offence soon laid the other two in the dust, and imminently endangered my own life. (For a full account of this strange transaction, see Catlin’s ‘Letters and Notes on North American Indians.’)
87. Heh-háh-ra-pah, the Elk’s Head; Chief of the Ee-ta-sip-shov band, Upper Missouri.
88. Máh-to-een-náh-pa, the White Bear that goes out; Chief of the Black Foot Sioux band.
89. Tchón-su-móns-ka, the Sand Bar; woman of the Te-ton band, with a beautiful head of hair; her dress almost literally covered with brass buttons, which are highly valued by the women, to adorn their dresses.